Intercultural Screen Adaptation : : British and Global Case Studies / / Michael Stewart, Robert Munro.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Stewart, Michael,; Munro, Robert,
• MitwirkendeR: Artt, Sarah,; Cuelenaere, Eduard,; Evans, Jonathan,; Galpin, Shelley Anne,; Griggs, Yvonne,; Lowe, Victoria,; McNaughton, Douglas,; Munro, Robert,; Poole, Carol,; Shin, Chi-Yun,; Stewart, Michael,; Strong, Jeremy,; Trandafoiu, Ruxandra,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (264 p.) :; 5 B/W illustrations 1 B/W tables

Examines the national, transnational and post-national contexts of screen adaptationsStudies a diverse range of contemporary and historical screen adaptationsExamines films and television programmes using various linked adaptation studies methods, including genre, star, auteur, heritage, tourism, performance, trauma, historical revisioning, interculturalism, translation, nostalgia, memory and spectacleBrings together scholars of film adaptation from twelve universities and five countriesIntercultural Screen Adaptation offers a wide-ranging examination of how film and television adaptations (and non-adaptations) interact with the cultural, social and political environments of their national, transnational and post-national contexts. With screen adaptations examined from across Britain, Europe, South America and Asia, this book tests how examining the processes of adaptation across and within national frameworks challenges traditional debates around the concept of nation in film, media and cultural studies. With case studies of films such as Under the Skin (2013) and T2: Trainspotting (2017), as well as TV adaptations like War and Peace (2016) and Narcos (2015 – 2017), Intercultural Screen Adaptation offers readers an invigorating look at adaptations from a variety of critical perspectives, incorporating the uses of landscape, nostalgia and translation.ContributorsSarah Artt, Edinburgh Napier University Eduard Cuelenaere, Ghent University and University of Antwerp Jonathan Evans, University of PortsmouthShelley Galpin, University of YorkYvonne Griggs, University of New EnglandVictoria Lowe, University of ManchesterDouglas McNaughton, University of BrightonRobert Munro, Queen Margaret UniversityErnesto Pérez Morán, Complutense UniversityCarol Poole, Ambassador to MediaCityUK Chi-Yun Shin, Sheffield Hallam UniversityMichael Stewart, Queen Margaret University Jeremy Strong, University of West London Ruxandra Trandafoiu, Edge Hill University

Table of Contents

Frontmatter -- CONTENTS -- List of Illustrations -- Acknowledgements -- List of Contributors -- Introduction -- PART I NOSTALGIA, HERITAGE AND THE TOURIST GAZE -- 1. Adapting Pagnol and Provence -- 2. ‘A Tourist in Your Own Youth’: Spatialised Nostalgia in T2: Trainspotting -- 3. ‘200 Miles Outside London’: The Tourist Gaze of Far from the Madding Crowd -- PART II RADICAL CONTINGENCIES: NEGLECTED FIGURES AND TEXTS -- 4. Reframing Performance: The British New Wave on Stage and Screen -- 5. Why We Do Not Adapt Jean Rhys -- PART III RE-ENVISIONING THE NATIONAL IMAGINARY -- 6. ‘To see oursels as ithers see us’: Textual, Individual and National Other-selves in Under the Skin -- 7. Back to the Future: Recalcitrance and Fidelity in Julieta -- PART IV THE LOCAL, THE GLOBAL AND THE COSMOPOLITAN -- 8. El Patrón Del Mal: A National Adaptation and Narcos Precedent -- 9. Constructing Nationhood in a Transnational Context: BBC’s 2016 War and Peace -- 10. The Beautiful Lie: Radical Recalibration and Nationhood -- PART V REMAKING, TRANSLATING: DIALOGUES ACROSS BORDERS -- 11. In Another Time and Place: Translating Gothic Romance in The Handmaiden -- 12. Chains of Adaptation: From D’entre les morts to Vertigo, La Jetée and Twelve Monkeys -- 13. A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake -- Index