Produced by Irving Thalberg : : Theory of Studio-Era Filmmaking / / Ana Salzberg.

Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning poi...

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Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (216 p.) :; 19 B/W illustrations
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id 9781474451062
ctrlnum (DE-B1597)615210
(OCoLC)1312726520
collection bib_alma
record_format marc
spelling Salzberg, Ana, author. aut http://id.loc.gov/vocabulary/relators/aut
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg.
Edinburgh : Edinburgh University Press, [2022]
©2020
1 online resource (216 p.) : 19 B/W illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- 1. Opening Credits -- 2. Oblique Casting and Early MGM -- 3. One Great Scene: Thalberg’s Silent Spectacles -- 4. Entertainment Value and Sound Cinema -- 5. Love Stories and General Principles: The Development of the Production Code -- 6. The Intelligent Producer and the Restructuring of MGM -- 7. “What can we do to make the picture better?” -- 8. Conclusion: Once a Star, Always a Star -- Works Cited -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning points, including the transition to sound cinema and the development of the Production CodeIrving Thalberg was not just a critically important producer during Hollywood’s Golden Age, but also an innovative theorist of studio-era filmmaking. Drawing on archival sources, this is the first book to explore Thalberg’s insights into casting, editing, story composition and the importance of the mass audience from a theoretical perspective. It examines Thalberg’s impact on film-historical turning points, such as the transition to sound cinema and the development of the Production Code, and features in-depth analyses of Thalberg’s productions at MGM from 1924 to 1936, including films like The Big Parade (1925), The Broadway Melody of 1929 (1929) and Romeo and Juliet (1936). The book argues that Thalberg’s views represent a unified conceptual understanding of filmmaking – one that is still significant in the modern day.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
Motion picture industry California Los Angeles History 20th century.
Motion pictures Production and direction California Los Angeles History 20th century.
Sound motion pictures History 20th century.
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / Direction & Production. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413
print 9781474451048
https://doi.org/10.1515/9781474451062?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474451062
Cover https://www.degruyter.com/document/cover/isbn/9781474451062/original
language English
format eBook
author Salzberg, Ana,
Salzberg, Ana,
spellingShingle Salzberg, Ana,
Salzberg, Ana,
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking /
Frontmatter --
1. Opening Credits --
2. Oblique Casting and Early MGM --
3. One Great Scene: Thalberg’s Silent Spectacles --
4. Entertainment Value and Sound Cinema --
5. Love Stories and General Principles: The Development of the Production Code --
6. The Intelligent Producer and the Restructuring of MGM --
7. “What can we do to make the picture better?” --
8. Conclusion: Once a Star, Always a Star --
Works Cited --
Index
author_facet Salzberg, Ana,
Salzberg, Ana,
author_variant a s as
a s as
author_role VerfasserIn
VerfasserIn
author_sort Salzberg, Ana,
title Produced by Irving Thalberg : Theory of Studio-Era Filmmaking /
title_sub Theory of Studio-Era Filmmaking /
title_full Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg.
title_fullStr Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg.
title_full_unstemmed Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg.
title_auth Produced by Irving Thalberg : Theory of Studio-Era Filmmaking /
title_alt Frontmatter --
1. Opening Credits --
2. Oblique Casting and Early MGM --
3. One Great Scene: Thalberg’s Silent Spectacles --
4. Entertainment Value and Sound Cinema --
5. Love Stories and General Principles: The Development of the Production Code --
6. The Intelligent Producer and the Restructuring of MGM --
7. “What can we do to make the picture better?” --
8. Conclusion: Once a Star, Always a Star --
Works Cited --
Index
title_new Produced by Irving Thalberg :
title_sort produced by irving thalberg : theory of studio-era filmmaking /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (216 p.) : 19 B/W illustrations
contents Frontmatter --
1. Opening Credits --
2. Oblique Casting and Early MGM --
3. One Great Scene: Thalberg’s Silent Spectacles --
4. Entertainment Value and Sound Cinema --
5. Love Stories and General Principles: The Development of the Production Code --
6. The Intelligent Producer and the Restructuring of MGM --
7. “What can we do to make the picture better?” --
8. Conclusion: Once a Star, Always a Star --
Works Cited --
Index
isbn 9781474451062
9783110780413
9781474451048
callnumber-first P - Language and Literature
callnumber-subject PN - General Literature
callnumber-label PN1998
callnumber-sort PN 41998.3
geographic_facet California
Los Angeles
era_facet 20th century.
url https://doi.org/10.1515/9781474451062?locatt=mode:legacy
https://www.degruyter.com/isbn/9781474451062
https://www.degruyter.com/document/cover/isbn/9781474451062/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.430979494
dewey-sort 3791.430979494
dewey-raw 791.430979494
dewey-search 791.430979494
doi_str_mv 10.1515/9781474451062?locatt=mode:legacy
oclc_num 1312726520
work_keys_str_mv AT salzbergana producedbyirvingthalbergtheoryofstudioerafilmmaking
status_str n
ids_txt_mv (DE-B1597)615210
(OCoLC)1312726520
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
is_hierarchy_title Produced by Irving Thalberg : Theory of Studio-Era Filmmaking /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
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