Produced by Irving Thalberg : : Theory of Studio-Era Filmmaking / / Ana Salzberg.
Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning poi...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (216 p.) :; 19 B/W illustrations |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781474451062 |
---|---|
ctrlnum |
(DE-B1597)615210 (OCoLC)1312726520 |
collection |
bib_alma |
record_format |
marc |
spelling |
Salzberg, Ana, author. aut http://id.loc.gov/vocabulary/relators/aut Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (216 p.) : 19 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- 1. Opening Credits -- 2. Oblique Casting and Early MGM -- 3. One Great Scene: Thalberg’s Silent Spectacles -- 4. Entertainment Value and Sound Cinema -- 5. Love Stories and General Principles: The Development of the Production Code -- 6. The Intelligent Producer and the Restructuring of MGM -- 7. “What can we do to make the picture better?” -- 8. Conclusion: Once a Star, Always a Star -- Works Cited -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning points, including the transition to sound cinema and the development of the Production CodeIrving Thalberg was not just a critically important producer during Hollywood’s Golden Age, but also an innovative theorist of studio-era filmmaking. Drawing on archival sources, this is the first book to explore Thalberg’s insights into casting, editing, story composition and the importance of the mass audience from a theoretical perspective. It examines Thalberg’s impact on film-historical turning points, such as the transition to sound cinema and the development of the Production Code, and features in-depth analyses of Thalberg’s productions at MGM from 1924 to 1936, including films like The Big Parade (1925), The Broadway Melody of 1929 (1929) and Romeo and Juliet (1936). The book argues that Thalberg’s views represent a unified conceptual understanding of filmmaking – one that is still significant in the modern day. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion picture industry California Los Angeles History 20th century. Motion pictures Production and direction California Los Angeles History 20th century. Sound motion pictures History 20th century. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474451048 https://doi.org/10.1515/9781474451062?locatt=mode:legacy https://www.degruyter.com/isbn/9781474451062 Cover https://www.degruyter.com/document/cover/isbn/9781474451062/original |
language |
English |
format |
eBook |
author |
Salzberg, Ana, Salzberg, Ana, |
spellingShingle |
Salzberg, Ana, Salzberg, Ana, Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Frontmatter -- 1. Opening Credits -- 2. Oblique Casting and Early MGM -- 3. One Great Scene: Thalberg’s Silent Spectacles -- 4. Entertainment Value and Sound Cinema -- 5. Love Stories and General Principles: The Development of the Production Code -- 6. The Intelligent Producer and the Restructuring of MGM -- 7. “What can we do to make the picture better?” -- 8. Conclusion: Once a Star, Always a Star -- Works Cited -- Index |
author_facet |
Salzberg, Ana, Salzberg, Ana, |
author_variant |
a s as a s as |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Salzberg, Ana, |
title |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / |
title_sub |
Theory of Studio-Era Filmmaking / |
title_full |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg. |
title_fullStr |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg. |
title_full_unstemmed |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / Ana Salzberg. |
title_auth |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / |
title_alt |
Frontmatter -- 1. Opening Credits -- 2. Oblique Casting and Early MGM -- 3. One Great Scene: Thalberg’s Silent Spectacles -- 4. Entertainment Value and Sound Cinema -- 5. Love Stories and General Principles: The Development of the Production Code -- 6. The Intelligent Producer and the Restructuring of MGM -- 7. “What can we do to make the picture better?” -- 8. Conclusion: Once a Star, Always a Star -- Works Cited -- Index |
title_new |
Produced by Irving Thalberg : |
title_sort |
produced by irving thalberg : theory of studio-era filmmaking / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (216 p.) : 19 B/W illustrations |
contents |
Frontmatter -- 1. Opening Credits -- 2. Oblique Casting and Early MGM -- 3. One Great Scene: Thalberg’s Silent Spectacles -- 4. Entertainment Value and Sound Cinema -- 5. Love Stories and General Principles: The Development of the Production Code -- 6. The Intelligent Producer and the Restructuring of MGM -- 7. “What can we do to make the picture better?” -- 8. Conclusion: Once a Star, Always a Star -- Works Cited -- Index |
isbn |
9781474451062 9783110780413 9781474451048 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1998 |
callnumber-sort |
PN 41998.3 |
geographic_facet |
California Los Angeles |
era_facet |
20th century. |
url |
https://doi.org/10.1515/9781474451062?locatt=mode:legacy https://www.degruyter.com/isbn/9781474451062 https://www.degruyter.com/document/cover/isbn/9781474451062/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430979494 |
dewey-sort |
3791.430979494 |
dewey-raw |
791.430979494 |
dewey-search |
791.430979494 |
doi_str_mv |
10.1515/9781474451062?locatt=mode:legacy |
oclc_num |
1312726520 |
work_keys_str_mv |
AT salzbergana producedbyirvingthalbergtheoryofstudioerafilmmaking |
status_str |
n |
ids_txt_mv |
(DE-B1597)615210 (OCoLC)1312726520 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
is_hierarchy_title |
Produced by Irving Thalberg : Theory of Studio-Era Filmmaking / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
_version_ |
1770176927382896640 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04300nam a22006735i 4500</leader><controlfield tag="001">9781474451062</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20220629043637.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">220629t20222020stk fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474451062</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474451062</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)615210</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1312726520</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">stk</subfield><subfield code="c">GB-SCT</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1998.3</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004010</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.430979494</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Salzberg, Ana, </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Produced by Irving Thalberg :</subfield><subfield code="b">Theory of Studio-Era Filmmaking /</subfield><subfield code="c">Ana Salzberg.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (216 p.) :</subfield><subfield code="b">19 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">1. Opening Credits -- </subfield><subfield code="t">2. Oblique Casting and Early MGM -- </subfield><subfield code="t">3. One Great Scene: Thalberg’s Silent Spectacles -- </subfield><subfield code="t">4. Entertainment Value and Sound Cinema -- </subfield><subfield code="t">5. Love Stories and General Principles: The Development of the Production Code -- </subfield><subfield code="t">6. The Intelligent Producer and the Restructuring of MGM -- </subfield><subfield code="t">7. “What can we do to make the picture better?” -- </subfield><subfield code="t">8. Conclusion: Once a Star, Always a Star -- </subfield><subfield code="t">Works Cited -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning points, including the transition to sound cinema and the development of the Production CodeIrving Thalberg was not just a critically important producer during Hollywood’s Golden Age, but also an innovative theorist of studio-era filmmaking. Drawing on archival sources, this is the first book to explore Thalberg’s insights into casting, editing, story composition and the importance of the mass audience from a theoretical perspective. It examines Thalberg’s impact on film-historical turning points, such as the transition to sound cinema and the development of the Production Code, and features in-depth analyses of Thalberg’s productions at MGM from 1924 to 1936, including films like The Big Parade (1925), The Broadway Melody of 1929 (1929) and Romeo and Juliet (1936). The book argues that Thalberg’s views represent a unified conceptual understanding of filmmaking – one that is still significant in the modern day.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion picture industry</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures</subfield><subfield code="x">Production and direction</subfield><subfield code="z">California</subfield><subfield code="z">Los Angeles</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Sound motion pictures</subfield><subfield code="x">History</subfield><subfield code="y">20th century.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2020</subfield><subfield code="z">9783110780413</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474451048</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474451062?locatt=mode:legacy</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474451062</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474451062/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078041-3 Edinburgh University Press Complete eBook-Package 2020</subfield><subfield code="b">2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |