Produced by Irving Thalberg : : Theory of Studio-Era Filmmaking / / Ana Salzberg.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
• VerfasserIn: Salzberg, Ana,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2020
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (216 p.) :; 19 B/W illustrations
• Other title: Frontmatter --; 1. Opening Credits --; 2. Oblique Casting and Early MGM --; 3. One Great Scene: Thalberg’s Silent Spectacles --; 4. Entertainment Value and Sound Cinema --; 5. Love Stories and General Principles: The Development of the Production Code --; 6. The Intelligent Producer and the Restructuring of MGM --; 7. “What can we do to make the picture better?” --; 8. Conclusion: Once a Star, Always a Star --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781474451062; 9783110780413
• DOI: 10.1515/9781474451062?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Ana Salzberg.

Explores Irving Thalberg's importance as not only a producer, but also a theorist of studio-era filmmakingOffers a critical reappraisal of Thalberg’s legacyProvides in-depth analyses of Thalberg’s productions at MGM from 1924 through 1936Examines Thalberg’s impact on film-historical turning points, including the transition to sound cinema and the development of the Production CodeIrving Thalberg was not just a critically important producer during Hollywood’s Golden Age, but also an innovative theorist of studio-era filmmaking. Drawing on archival sources, this is the first book to explore Thalberg’s insights into casting, editing, story composition and the importance of the mass audience from a theoretical perspective. It examines Thalberg’s impact on film-historical turning points, such as the transition to sound cinema and the development of the Production Code, and features in-depth analyses of Thalberg’s productions at MGM from 1924 to 1936, including films like The Big Parade (1925), The Broadway Melody of 1929 (1929) and Romeo and Juliet (1936). The book argues that Thalberg’s views represent a unified conceptual understanding of filmmaking – one that is still significant in the modern day.