ReFocus : : The Films of Pablo Larraín /

ReFocus : : The Films of Pablo Larraín / / Laura Hatry.

The first English-language collection of critical essays on the Chilean director Pablo LarraínProvides cultural and historical context for Larraín’s films, including consideration of his own influencesAssesses Larraín’s standing in Chilean film and his cinematic style through close analysis of all h...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
VerfasserIn:
Hatry, Laura,
MitwirkendeR:
Amestoy, Susana Domingo,
Dapena, Xavier,
Díaz-Zambrana, Rosana,
Garrett, Victoria L.,
Gozalo-Salellas, Ignasi,
Harvey, James,
Hatry, Laura,
Jung, Berenike,
Ledesma, Eduardo,
McMenamin, Amanda Eaton,
Márquez-Gómez, Arturo,
VanWieren, Rachel,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Series:ReFocus: The International Directors Series : RFIDS
Online Access:
Physical Description:1 online resource (248 p.) :; 29 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Figures
  • Notes on Contributors
  • Acknowledgments
  • An Introduction. Pablo Larraín: Doomed to Repeat It
  • 1 A Cracked Gaze: Pablo Larraín’s Cultural Context
  • 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda
  • 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy
  • 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem
  • 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film
  • 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín
  • 7 Adaptation and the Use of Documentary Material in No
  • 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club
  • 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters
  • 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation
  • 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez
  • Index

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