ReFocus : : The Films of Pablo Larraín / / Laura Hatry.
The first English-language collection of critical essays on the Chilean director Pablo LarraínProvides cultural and historical context for Larraín’s films, including consideration of his own influencesAssesses Larraín’s standing in Chilean film and his cinematic style through close analysis of all h...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Series: | ReFocus: The International Directors Series : RFIDS
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Physical Description: | 1 online resource (248 p.) :; 29 B/W illustrations |
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Hatry, Laura, author. aut http://id.loc.gov/vocabulary/relators/aut ReFocus : The Films of Pablo Larraín / Laura Hatry. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (248 p.) : 29 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda ReFocus: The International Directors Series : RFIDS Frontmatter -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- An Introduction. Pablo Larraín: Doomed to Repeat It -- 1 A Cracked Gaze: Pablo Larraín’s Cultural Context -- 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda -- 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy -- 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem -- 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film -- 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín -- 7 Adaptation and the Use of Documentary Material in No -- 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club -- 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters -- 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation -- 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star The first English-language collection of critical essays on the Chilean director Pablo LarraínProvides cultural and historical context for Larraín’s films, including consideration of his own influencesAssesses Larraín’s standing in Chilean film and his cinematic style through close analysis of all his worksAnalyses Larraín’s oeuvre in the context of film aesthetics, philosophy, history, adaptation studies, and cultural studiesPablo Larraín is among the most prominent filmmakers in contemporary Chilean cinema. Having created a highly original cinematic language and established a focused critical dialogue about Chile’s troubled contemporary history, his work presents an unflinching portrait of one of the most notorious regimes of modern Latin America (indeed, the world) and its problematic aftermath. In a straightforward, often surprising, and reliably controversial series of films, Larraín never retreats in the face of violence or the painful truths that still undergird Chilean reality. Assessing his work in the context of film aesthetics, philosophy, history, adaptation studies and cultural studies, ReFocus: The Films of Pablo Larraín is the first book-length English-language anthology about this important director’s cinema, offering a wide range of perspectives by a diverse range of international scholars. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Larraín, Pablo-Criticism and interpretation. Larraín, Pablo. Motion picture producers and directors-Chile-Biography. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Amestoy, Susana Domingo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dapena, Xavier, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Díaz-Zambrana, Rosana, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Garrett, Victoria L., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Gozalo-Salellas, Ignasi, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Harvey, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hatry, Laura, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jung, Berenike, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Ledesma, Eduardo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McMenamin, Amanda Eaton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Márquez-Gómez, Arturo, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb VanWieren, Rachel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474448284 https://doi.org/10.1515/9781474448307 https://www.degruyter.com/isbn/9781474448307 Cover https://www.degruyter.com/document/cover/isbn/9781474448307/original |
language |
English |
format |
eBook |
author |
Hatry, Laura, Hatry, Laura, |
spellingShingle |
Hatry, Laura, Hatry, Laura, ReFocus : The Films of Pablo Larraín / ReFocus: The International Directors Series : RFIDS Frontmatter -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- An Introduction. Pablo Larraín: Doomed to Repeat It -- 1 A Cracked Gaze: Pablo Larraín’s Cultural Context -- 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda -- 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy -- 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem -- 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film -- 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín -- 7 Adaptation and the Use of Documentary Material in No -- 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club -- 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters -- 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation -- 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez -- Index |
author_facet |
Hatry, Laura, Hatry, Laura, Amestoy, Susana Domingo, Amestoy, Susana Domingo, Dapena, Xavier, Dapena, Xavier, Díaz-Zambrana, Rosana, Díaz-Zambrana, Rosana, Garrett, Victoria L., Garrett, Victoria L., Gozalo-Salellas, Ignasi, Gozalo-Salellas, Ignasi, Harvey, James, Harvey, James, Hatry, Laura, Hatry, Laura, Jung, Berenike, Jung, Berenike, Ledesma, Eduardo, Ledesma, Eduardo, McMenamin, Amanda Eaton, McMenamin, Amanda Eaton, Márquez-Gómez, Arturo, Márquez-Gómez, Arturo, VanWieren, Rachel, VanWieren, Rachel, |
author_variant |
l h lh l h lh |
author_role |
VerfasserIn VerfasserIn |
author2 |
Amestoy, Susana Domingo, Amestoy, Susana Domingo, Dapena, Xavier, Dapena, Xavier, Díaz-Zambrana, Rosana, Díaz-Zambrana, Rosana, Garrett, Victoria L., Garrett, Victoria L., Gozalo-Salellas, Ignasi, Gozalo-Salellas, Ignasi, Harvey, James, Harvey, James, Hatry, Laura, Hatry, Laura, Jung, Berenike, Jung, Berenike, Ledesma, Eduardo, Ledesma, Eduardo, McMenamin, Amanda Eaton, McMenamin, Amanda Eaton, Márquez-Gómez, Arturo, Márquez-Gómez, Arturo, VanWieren, Rachel, VanWieren, Rachel, |
author2_variant |
s d a sd sda s d a sd sda x d xd x d xd r d z rdz r d z rdz v l g vl vlg v l g vl vlg i g s igs i g s igs j h jh j h jh l h lh l h lh b j bj b j bj e l el e l el a e m ae aem a e m ae aem a m g amg a m g amg r v rv r v rv |
author2_role |
MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR MitwirkendeR |
author_sort |
Hatry, Laura, |
title |
ReFocus : The Films of Pablo Larraín / |
title_sub |
The Films of Pablo Larraín / |
title_full |
ReFocus : The Films of Pablo Larraín / Laura Hatry. |
title_fullStr |
ReFocus : The Films of Pablo Larraín / Laura Hatry. |
title_full_unstemmed |
ReFocus : The Films of Pablo Larraín / Laura Hatry. |
title_auth |
ReFocus : The Films of Pablo Larraín / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- An Introduction. Pablo Larraín: Doomed to Repeat It -- 1 A Cracked Gaze: Pablo Larraín’s Cultural Context -- 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda -- 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy -- 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem -- 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film -- 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín -- 7 Adaptation and the Use of Documentary Material in No -- 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club -- 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters -- 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation -- 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez -- Index |
title_new |
ReFocus : |
title_sort |
refocus : the films of pablo larraín / |
series |
ReFocus: The International Directors Series : RFIDS |
series2 |
ReFocus: The International Directors Series : RFIDS |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (248 p.) : 29 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgments -- An Introduction. Pablo Larraín: Doomed to Repeat It -- 1 A Cracked Gaze: Pablo Larraín’s Cultural Context -- 2 The Synecdochic Series of Pablo Larraín: The Castro Cycle of Chilean Complicity in Fuga, Tony Manero, Post Mortem, No, El Club, and Neruda -- 3 “Within the Limits of the Possible”: Realist Aesthetics in Pablo Larraín’s Dictatorship Trilogy -- 4 When Violence Meets Experimentalism: Unraveling Cinematic Suture in Raúl Ruiz’s Tres Tristes Tigres and Pablo Larraín’s Post Mortem -- 5 Gothic Memory and Ghostly Aesthetics: Post Mortem as a Horror Film -- 6 Aestheticization of Politics and the War Machine in No by Pablo Larraín -- 7 Adaptation and the Use of Documentary Material in No -- 8 The Blurred Image: The Aesthetics of Impunity in Pablo Larraín’s No and El Club -- 9 Reimagining the Left in Neruda: Inclusivity and Encounters with Secondary Characters -- 10 Surfaces in Jackie: Representing Crisis and the Crisis of Representation -- 11 “When on Stage, I Am Not There, I Am Not That One” An Interview with Alfredo Castro by Arturo Márquez-Gómez -- Index |
isbn |
9781474448307 9783110780413 9781474448284 |
url |
https://doi.org/10.1515/9781474448307 https://www.degruyter.com/isbn/9781474448307 https://www.degruyter.com/document/cover/isbn/9781474448307/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233092 |
dewey-sort |
3791.430233092 |
dewey-raw |
791.430233092 |
dewey-search |
791.430233092 |
doi_str_mv |
10.1515/9781474448307 |
oclc_num |
1312726627 |
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ReFocus : The Films of Pablo Larraín / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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