Cinematic Intermediality : : Theory and Practice /

Cinematic Intermediality : : Theory and Practice / / Kim Knowles, Marion Schmid.

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Outlines an innovative agenda for understanding film’s interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a broad a...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English
VerfasserIn:
Knowles, Kim,
Schmid, Marion,
MitwirkendeR:
Barber, Stephen,
Beugnet, Martine,
Dicker, Barnaby,
Jacobs, Steven,
Jutz, Gabriele,
Knowles, Kim,
Pethő, Ágnes,
Pucill, Sarah,
Reynolds, Lucy,
Roberts, Adam,
Rocamora, Isabel,
Schmid, Marion,
Townsend, Christopher,
Vasof, Anna,
Wiseman, Boris,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2021
Year of Publication:2022
Language:English
Series:Edinburgh Studies in Film and Intermediality : ESFI
Online Access:
Physical Description:1 online resource (224 p.) :; 28 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Figures
  • Acknowledgements
  • The Contributors
  • Introduction
  • Part 1 Mapping the Interzone
  • 1 Film and Performance: Intermedial Intersections
  • 2 Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo
  • 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema
  • 4 Dream Screen: On Cinema and Painting, Blur and Absorption
  • Part 2 The Intermedial Avant-gardes
  • 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970–2015
  • 6 The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings
  • 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G
  • Part 3 Technology, Apparatus, Affect
  • 8 Intermediality and the Origins of Cinema
  • 9 Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame
  • 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph
  • Part 4 Intermedial Creation
  • 11 What Does a Dance Filmmaker See?
  • 12 Performance, Moving Image, Installation: The Making of Body of War and Faith
  • 13 Muybridge’s Disobedient Horses: Non-stop Stop-motion
  • 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror
  • Index

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