Cinematic Intermediality : : Theory and Practice / / Kim Knowles, Marion Schmid.
Outlines an innovative agenda for understanding film’s interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a broad a...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2021 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Studies in Film and Intermediality : ESFI
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Physical Description: | 1 online resource (224 p.) :; 28 B/W illustrations |
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Knowles, Kim, author. aut http://id.loc.gov/vocabulary/relators/aut Cinematic Intermediality : Theory and Practice / Kim Knowles, Marion Schmid. Edinburgh : Edinburgh University Press, [2022] ©2021 1 online resource (224 p.) : 28 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970–2015 -- 6 The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge’s Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Outlines an innovative agenda for understanding film’s interaction with other art formsOpens up new critical perspectives for understanding the role of intermediality in moving image creationBroadens the traditional horizon of film studies, challenging mono-medial conceptions of filmOffers a broad and inclusive view of cinematic intermediality, with a special emphasis on understudied avant-garde and experimental practiceAs a fundamentally hybrid medium, cinema has always been defined by its interactions with other art forms such as painting, sculpture, photography, performance and dance. Taking the in-between nature of the cinematic medium as its starting point, this collection of essays maps out new directions for understanding the richly diverse ways in which artists and filmmakers draw on and reconfigure the other arts in their creative practice. From pre-cinema to the digital era, from avant-garde to world cinema and from the projection room to the gallery space, the contributors critically explore what happens when ideas, forms and feelings migrate from one art form to another. Giving voice to both theorists and moving image practitioners, Cinematic Intermediality: Theory and Practice stimulates fresh thinking about how intermediality, as both a creative method and an interpretative paradigm, can be explored alongside probing questions of what cinema is, has been and can be. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023) Intermediality. Motion pictures and the arts. Motion pictures Criticism and interpretation. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Barber, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Beugnet, Martine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Dicker, Barnaby, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jacobs, Steven, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Jutz, Gabriele, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Knowles, Kim, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pethő, Ágnes, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pucill, Sarah, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reynolds, Lucy, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Roberts, Adam, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rocamora, Isabel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Schmid, Marion, author. aut http://id.loc.gov/vocabulary/relators/aut Schmid, Marion, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Townsend, Christopher, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Vasof, Anna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wiseman, Boris, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English 9783110993899 Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 9783110994810 ZDB-23-DGG Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English 9783110993752 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 9783110993738 ZDB-23-DKU Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 9783110780406 print 9781474446341 https://doi.org/10.1515/9781474446365 https://www.degruyter.com/isbn/9781474446365 Cover https://www.degruyter.com/document/cover/isbn/9781474446365/original |
language |
English |
format |
eBook |
author |
Knowles, Kim, Knowles, Kim, Schmid, Marion, |
spellingShingle |
Knowles, Kim, Knowles, Kim, Schmid, Marion, Cinematic Intermediality : Theory and Practice / Edinburgh Studies in Film and Intermediality : ESFI Frontmatter -- Contents -- List of Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970–2015 -- 6 The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge’s Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index |
author_facet |
Knowles, Kim, Knowles, Kim, Schmid, Marion, Barber, Stephen, Barber, Stephen, Beugnet, Martine, Beugnet, Martine, Dicker, Barnaby, Dicker, Barnaby, Jacobs, Steven, Jacobs, Steven, Jutz, Gabriele, Jutz, Gabriele, Knowles, Kim, Knowles, Kim, Pethő, Ágnes, Pethő, Ágnes, Pucill, Sarah, Pucill, Sarah, Reynolds, Lucy, Reynolds, Lucy, Roberts, Adam, Roberts, Adam, Rocamora, Isabel, Rocamora, Isabel, Schmid, Marion, Schmid, Marion, Schmid, Marion, Schmid, Marion, Townsend, Christopher, Townsend, Christopher, Vasof, Anna, Vasof, Anna, Wiseman, Boris, Wiseman, Boris, |
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Barber, Stephen, Barber, Stephen, Beugnet, Martine, Beugnet, Martine, Dicker, Barnaby, Dicker, Barnaby, Jacobs, Steven, Jacobs, Steven, Jutz, Gabriele, Jutz, Gabriele, Knowles, Kim, Knowles, Kim, Pethő, Ágnes, Pethő, Ágnes, Pucill, Sarah, Pucill, Sarah, Reynolds, Lucy, Reynolds, Lucy, Roberts, Adam, Roberts, Adam, Rocamora, Isabel, Rocamora, Isabel, Schmid, Marion, Schmid, Marion, Schmid, Marion, Schmid, Marion, Townsend, Christopher, Townsend, Christopher, Vasof, Anna, Vasof, Anna, Wiseman, Boris, Wiseman, Boris, |
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author_sort |
Knowles, Kim, |
title |
Cinematic Intermediality : Theory and Practice / |
title_sub |
Theory and Practice / |
title_full |
Cinematic Intermediality : Theory and Practice / Kim Knowles, Marion Schmid. |
title_fullStr |
Cinematic Intermediality : Theory and Practice / Kim Knowles, Marion Schmid. |
title_full_unstemmed |
Cinematic Intermediality : Theory and Practice / Kim Knowles, Marion Schmid. |
title_auth |
Cinematic Intermediality : Theory and Practice / |
title_alt |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970–2015 -- 6 The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge’s Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index |
title_new |
Cinematic Intermediality : |
title_sort |
cinematic intermediality : theory and practice / |
series |
Edinburgh Studies in Film and Intermediality : ESFI |
series2 |
Edinburgh Studies in Film and Intermediality : ESFI |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (224 p.) : 28 B/W illustrations |
contents |
Frontmatter -- Contents -- List of Figures -- Acknowledgements -- The Contributors -- Introduction -- Part 1 Mapping the Interzone -- 1 Film and Performance: Intermedial Intersections -- 2 Carving Cameras: Antonioni’s Lo Sguardo di Michelangelo -- 3 The Photo-filmic and the Post-human: Picturesque Landscapes at the Peripheries of Global Cinema -- 4 Dream Screen: On Cinema and Painting, Blur and Absorption -- Part 2 The Intermedial Avant-gardes -- 5 From the Periphery to the Interstices: Avant-garde Film, Medium Specificity and Intermediality, 1970–2015 -- 6 The ‘Artist as Filmmaker’: Modernisms, Schisms, Misunderstandings -- 7 The Artwork/Statement as Intermedial Nexus: Paul Sharits’s N:O:T:H:I:N:G -- Part 3 Technology, Apparatus, Affect -- 8 Intermediality and the Origins of Cinema -- 9 Cinematography’s Blind Spots: Artistic Exploitations of the Film Frame -- 10 Filming and Feeling between the Arts: Pascale Breton, Suite armoricaine and Eugène Green, Le Fils de Joseph -- Part 4 Intermedial Creation -- 11 What Does a Dance Filmmaker See? -- 12 Performance, Moving Image, Installation: The Making of Body of War and Faith -- 13 Muybridge’s Disobedient Horses: Non-stop Stop-motion -- 14 A Dialogue with Claude Cahun: Between Writing, Photography and Film in Magic Mirror and Confessions to the Mirror -- Index |
isbn |
9781474446365 9783110993899 9783110994810 9783110993752 9783110993738 9783110780406 9781474446341 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1995 |
callnumber-sort |
PN 41995.25 C56 42021 |
url |
https://doi.org/10.1515/9781474446365 https://www.degruyter.com/isbn/9781474446365 https://www.degruyter.com/document/cover/isbn/9781474446365/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/657 |
dewey-sort |
3791.43 3657 |
dewey-raw |
791.43/657 |
dewey-search |
791.43/657 |
doi_str_mv |
10.1515/9781474446365 |
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1306539574 |
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Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE COMPLETE 2022 Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 English Title is part of eBook package: De Gruyter EBOOK PACKAGE Literary, Cultural, Area Studies 2022 Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2021 |
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