The Filmmaker’s Philosopher : : Merab Mamardashvili and Russian Cinema / / Alyssa DeBlasio.
Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakersShortlisted for the 2020 AATSEEL Best Book in Cultural Studies awardThe first study of Mamardashvili’s significant influence on cinema, culture and philosophy in RussiaOffers a compelling a...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (216 p.) :; 14 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- List of Figures
- Acknowledgments
- Note on Transliteration and Translation
- Introduction: The Freest Man in the USSR
- 1. Alexander Sokurov’s Demoted (1980): Consciousness as Celebration
- 2. Ivan Dykhovichnyi’s The Black Monk (1988): Madness, Chekhov, and the Chimera of Idleness
- 3. Dmitry Mamuliya’s Another Sky (2010): The Language of Consciousness
- 4. Alexei Balabanov’s The Castle (1994) and Me Too (2012): Kafka, the Absurd, and the Death of Form
- 5. Alexander Zeldovich’s Target (2011): Tolstoy and Mamardashvili on the Infinite and the Earthly
- 6. Vadim Abdrashitov and Alexander Mindadze’s The Train Stopped (1982): Film as a Metaphor for Consciousness
- Conclusion: Andrey Zvyagintsev’s Loveless (2017): The Philosophical Image and the Possibilities of Film
- Appendix
- Bibliography
- Index