The Filmmaker’s Philosopher : : Merab Mamardashvili and Russian Cinema / / Alyssa DeBlasio.
Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakersShortlisted for the 2020 AATSEEL Best Book in Cultural Studies awardThe first study of Mamardashvili’s significant influence on cinema, culture and philosophy in RussiaOffers a compelling a...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (216 p.) :; 14 B/W illustrations |
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LEADER | 04681nam a22006735i 4500 | ||
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001 | 9781474444507 | ||
003 | DE-B1597 | ||
005 | 20220729113935.0 | ||
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020 | |a 9781474444507 | ||
024 | 7 | |a 10.1515/9781474444507 |2 doi | |
035 | |a (DE-B1597)615356 | ||
035 | |a (OCoLC)1306539909 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
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072 | 7 | |a HIS032000 |2 bisacsh | |
082 | 0 | 4 | |a 791.430947 |2 23 |
100 | 1 | |a DeBlasio, Alyssa, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 4 | |a The Filmmaker’s Philosopher : |b Merab Mamardashvili and Russian Cinema / |c Alyssa DeBlasio. |
264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
264 | 4 | |c ©2019 | |
300 | |a 1 online resource (216 p.) : |b 14 B/W illustrations | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t Acknowledgments -- |t Note on Transliteration and Translation -- |t Introduction: The Freest Man in the USSR -- |t 1. Alexander Sokurov’s Demoted (1980): Consciousness as Celebration -- |t 2. Ivan Dykhovichnyi’s The Black Monk (1988): Madness, Chekhov, and the Chimera of Idleness -- |t 3. Dmitry Mamuliya’s Another Sky (2010): The Language of Consciousness -- |t 4. Alexei Balabanov’s The Castle (1994) and Me Too (2012): Kafka, the Absurd, and the Death of Form -- |t 5. Alexander Zeldovich’s Target (2011): Tolstoy and Mamardashvili on the Infinite and the Earthly -- |t 6. Vadim Abdrashitov and Alexander Mindadze’s The Train Stopped (1982): Film as a Metaphor for Consciousness -- |t Conclusion: Andrey Zvyagintsev’s Loveless (2017): The Philosophical Image and the Possibilities of Film -- |t Appendix -- |t Bibliography -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakersShortlisted for the 2020 AATSEEL Best Book in Cultural Studies awardThe first study of Mamardashvili’s significant influence on cinema, culture and philosophy in RussiaOffers a compelling analysis of contemporary Russian filmmakers, including Alexander Sokurov, Andrey Zvyagintsev and Alexei BalabanovProvides a carefully researched study of Mamardashvili’s philosophy and intellectual biography, written for scholars from all disciplinesKnown as the ‘Georgian Socrates’ of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia’s two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili’s extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation – including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image. " | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) | |
650 | 0 | |a Motion pictures |z Russia (Federation) |x History. | |
650 | 0 | |a Philosophy in motion pictures. | |
650 | 4 | |a Film, Media & Cultural Studies. | |
650 | 7 | |a HISTORY / Russia & the Former Soviet Union. |2 bisacsh | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Edinburgh University Press Complete eBook-Package 2019 |z 9783110780420 |
776 | 0 | |c print |z 9781474444484 | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474444507?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781474444507 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781474444507/original |
912 | |a 978-3-11-078042-0 Edinburgh University Press Complete eBook-Package 2019 |b 2019 | ||
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