The Other Hollywood Renaissance /

The Other Hollywood Renaissance / / Murray Pomerance, Dominic Lennard, R. Barton Palmer.

Provides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
VerfasserIn:
Lennard, Dominic,
Palmer, R. Barton,
Pomerance, Murray,
MitwirkendeR:
Austin-Smith, Brenda,
Badley, Linda,
Bell-Metereau, Rebecca,
Bingham, Dennis,
Desser, David,
Friedman, Lester D.,
Hark, Ina Rae,
Kirshner, Jonathan,
Lennard, Dominic,
Longo, Vincent,
McFarland, Douglas,
McSweeney, Terence,
Palmer, R. Barton,
Pomerance, Murray,
Roche, Nancy McGuire,
Rybin, Steven,
Sacco, Daniel,
Smukler, Maya Montañez,
Stevens, Kyle,
Tsay, I-Lien,
Varndell, Daniel,
Verevis, Constantine,
Warner, Rick,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Series:Traditions in American Cinema : TAC
Online Access:
Physical Description:1 online resource (416 p.) :; 93 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES
  • NOTES ON THE CONTRIBUTORS
  • THE NEW PICTURE SHOW: AN INTRODUCTION
  • 1. HAL ASHBY, GENTLE GIANT
  • 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH
  • 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION
  • 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID
  • 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS
  • 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM
  • 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE
  • 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER
  • 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS
  • 10. SIDNEY LUMET AND THE NEW HOLLYWOOD
  • 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN
  • 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP”
  • 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN
  • 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE
  • 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION
  • 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY”
  • 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH
  • 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP
  • 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME
  • 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS
  • 21. INSIDE JOHN SCHLESINGER OUTSIDE
  • 22. FIRE AND ICE: PAUL SCHRADER
  • 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD
  • INDEX

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