The Other Hollywood Renaissance / / Murray Pomerance, Dominic Lennard, R. Barton Palmer.
Provides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in American Cinema : TAC
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Physical Description: | 1 online resource (416 p.) :; 93 B/W illustrations |
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Lennard, Dominic, author. aut http://id.loc.gov/vocabulary/relators/aut The Other Hollywood Renaissance / Murray Pomerance, Dominic Lennard, R. Barton Palmer. Edinburgh : Edinburgh University Press, [2022] ©2020 1 online resource (416 p.) : 93 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in American Cinema : TAC Frontmatter -- CONTENTS -- FIGURES -- NOTES ON THE CONTRIBUTORS -- THE NEW PICTURE SHOW: AN INTRODUCTION -- 1. HAL ASHBY, GENTLE GIANT -- 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- 10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- 21. INSIDE JOHN SCHLESINGER OUTSIDE -- 22. FIRE AND ICE: PAUL SCHRADER -- 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Provides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion pictures-United States-History. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Austin-Smith, Brenda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Badley, Linda, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bell-Metereau, Rebecca, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bingham, Dennis, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Desser, David, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Friedman, Lester D., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Hark, Ina Rae, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kirshner, Jonathan, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lennard, Dominic, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Longo, Vincent, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McFarland, Douglas, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McSweeney, Terence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Palmer, R. Barton, author. aut http://id.loc.gov/vocabulary/relators/aut Palmer, R. Barton, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Pomerance, Murray, author. aut http://id.loc.gov/vocabulary/relators/aut Pomerance, Murray, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Roche, Nancy McGuire, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Rybin, Steven, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Sacco, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smukler, Maya Montañez, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Stevens, Kyle, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Tsay, I-Lien, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Varndell, Daniel, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Verevis, Constantine, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Warner, Rick, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 9783110780413 print 9781474442640 https://doi.org/10.1515/9781474442657 https://www.degruyter.com/isbn/9781474442657 Cover https://www.degruyter.com/document/cover/isbn/9781474442657/original |
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English |
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author |
Lennard, Dominic, Lennard, Dominic, Palmer, R. Barton, Pomerance, Murray, |
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Lennard, Dominic, Lennard, Dominic, Palmer, R. Barton, Pomerance, Murray, The Other Hollywood Renaissance / Traditions in American Cinema : TAC Frontmatter -- CONTENTS -- FIGURES -- NOTES ON THE CONTRIBUTORS -- THE NEW PICTURE SHOW: AN INTRODUCTION -- 1. HAL ASHBY, GENTLE GIANT -- 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- 10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- 21. INSIDE JOHN SCHLESINGER OUTSIDE -- 22. FIRE AND ICE: PAUL SCHRADER -- 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- INDEX |
author_facet |
Lennard, Dominic, Lennard, Dominic, Palmer, R. Barton, Pomerance, Murray, Austin-Smith, Brenda, Austin-Smith, Brenda, Badley, Linda, Badley, Linda, Bell-Metereau, Rebecca, Bell-Metereau, Rebecca, Bingham, Dennis, Bingham, Dennis, Desser, David, Desser, David, Friedman, Lester D., Friedman, Lester D., Hark, Ina Rae, Hark, Ina Rae, Kirshner, Jonathan, Kirshner, Jonathan, Lennard, Dominic, Lennard, Dominic, Longo, Vincent, Longo, Vincent, McFarland, Douglas, McFarland, Douglas, McSweeney, Terence, McSweeney, Terence, Palmer, R. Barton, Palmer, R. Barton, Palmer, R. Barton, Palmer, R. Barton, Pomerance, Murray, Pomerance, Murray, Pomerance, Murray, Pomerance, Murray, Roche, Nancy McGuire, Roche, Nancy McGuire, Rybin, Steven, Rybin, Steven, Sacco, Daniel, Sacco, Daniel, Smukler, Maya Montañez, Smukler, Maya Montañez, Stevens, Kyle, Stevens, Kyle, Tsay, I-Lien, Tsay, I-Lien, Varndell, Daniel, Varndell, Daniel, Verevis, Constantine, Verevis, Constantine, Warner, Rick, Warner, Rick, |
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Austin-Smith, Brenda, Austin-Smith, Brenda, Badley, Linda, Badley, Linda, Bell-Metereau, Rebecca, Bell-Metereau, Rebecca, Bingham, Dennis, Bingham, Dennis, Desser, David, Desser, David, Friedman, Lester D., Friedman, Lester D., Hark, Ina Rae, Hark, Ina Rae, Kirshner, Jonathan, Kirshner, Jonathan, Lennard, Dominic, Lennard, Dominic, Longo, Vincent, Longo, Vincent, McFarland, Douglas, McFarland, Douglas, McSweeney, Terence, McSweeney, Terence, Palmer, R. Barton, Palmer, R. Barton, Palmer, R. Barton, Palmer, R. Barton, Pomerance, Murray, Pomerance, Murray, Pomerance, Murray, Pomerance, Murray, Roche, Nancy McGuire, Roche, Nancy McGuire, Rybin, Steven, Rybin, Steven, Sacco, Daniel, Sacco, Daniel, Smukler, Maya Montañez, Smukler, Maya Montañez, Stevens, Kyle, Stevens, Kyle, Tsay, I-Lien, Tsay, I-Lien, Varndell, Daniel, Varndell, Daniel, Verevis, Constantine, Verevis, Constantine, Warner, Rick, Warner, Rick, |
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author_sort |
Lennard, Dominic, |
title |
The Other Hollywood Renaissance / |
title_full |
The Other Hollywood Renaissance / Murray Pomerance, Dominic Lennard, R. Barton Palmer. |
title_fullStr |
The Other Hollywood Renaissance / Murray Pomerance, Dominic Lennard, R. Barton Palmer. |
title_full_unstemmed |
The Other Hollywood Renaissance / Murray Pomerance, Dominic Lennard, R. Barton Palmer. |
title_auth |
The Other Hollywood Renaissance / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES -- NOTES ON THE CONTRIBUTORS -- THE NEW PICTURE SHOW: AN INTRODUCTION -- 1. HAL ASHBY, GENTLE GIANT -- 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- 10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- 21. INSIDE JOHN SCHLESINGER OUTSIDE -- 22. FIRE AND ICE: PAUL SCHRADER -- 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- INDEX |
title_new |
The Other Hollywood Renaissance / |
title_sort |
the other hollywood renaissance / |
series |
Traditions in American Cinema : TAC |
series2 |
Traditions in American Cinema : TAC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (416 p.) : 93 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES -- NOTES ON THE CONTRIBUTORS -- THE NEW PICTURE SHOW: AN INTRODUCTION -- 1. HAL ASHBY, GENTLE GIANT -- 2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- 3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- 4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- 5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- 6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- 7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- 8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- 9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- 10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- 11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- 12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- 13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- 14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- 15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- 16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- 17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- 18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- 19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- 20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- 21. INSIDE JOHN SCHLESINGER OUTSIDE -- 22. FIRE AND ICE: PAUL SCHRADER -- 23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- INDEX |
isbn |
9781474442657 9783110780413 9781474442640 |
url |
https://doi.org/10.1515/9781474442657 https://www.degruyter.com/isbn/9781474442657 https://www.degruyter.com/document/cover/isbn/9781474442657/original |
illustrated |
Not Illustrated |
doi_str_mv |
10.1515/9781474442657 |
oclc_num |
1306542026 |
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Barton Palmer.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh : </subfield><subfield code="b">Edinburgh University Press, </subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (416 p.) :</subfield><subfield code="b">93 B/W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Traditions in American Cinema : TAC</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">CONTENTS -- </subfield><subfield code="t">FIGURES -- </subfield><subfield code="t">NOTES ON THE CONTRIBUTORS -- </subfield><subfield code="t">THE NEW PICTURE SHOW: AN INTRODUCTION -- </subfield><subfield code="t">1. HAL ASHBY, GENTLE GIANT -- </subfield><subfield code="t">2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH -- </subfield><subfield code="t">3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION -- </subfield><subfield code="t">4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID -- </subfield><subfield code="t">5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS -- </subfield><subfield code="t">6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM -- </subfield><subfield code="t">7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE -- </subfield><subfield code="t">8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER -- </subfield><subfield code="t">9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS -- </subfield><subfield code="t">10. SIDNEY LUMET AND THE NEW HOLLYWOOD -- </subfield><subfield code="t">11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN -- </subfield><subfield code="t">12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP” -- </subfield><subfield code="t">13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN -- </subfield><subfield code="t">14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE -- </subfield><subfield code="t">15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION -- </subfield><subfield code="t">16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY” -- </subfield><subfield code="t">17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH -- </subfield><subfield code="t">18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP -- </subfield><subfield code="t">19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME -- </subfield><subfield code="t">20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS -- </subfield><subfield code="t">21. INSIDE JOHN SCHLESINGER OUTSIDE -- </subfield><subfield code="t">22. FIRE AND ICE: PAUL SCHRADER -- </subfield><subfield code="t">23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD -- </subfield><subfield code="t">INDEX</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Provides a revisionist account of the Hollywood RenaissanceProvides in-depth analysis of 24 directors working within this periodChallenges the traditional canon of Hollywood Renaissance auteursReassesses American art cinema of the 1970sIn the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Motion pictures-United States-History.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Austin-Smith, Brenda, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Badley, Linda, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bell-Metereau, Rebecca, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Bingham, Dennis, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Desser, David, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Friedman, Lester D., </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hark, Ina Rae, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kirshner, Jonathan, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Lennard, Dominic, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Longo, Vincent, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McFarland, Douglas, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">McSweeney, Terence, </subfield><subfield code="e">contributor.</subfield><subfield code="4">ctb</subfield><subfield code="4">https://id.loc.gov/vocabulary/relators/ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Palmer, R. 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