Time, Existential Presence and the Cinematic Image : : Ethics and Emergence to Being in Film / / Sam B. Girgus.
Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey’s theory of “delayed cinema” to ideas on time and the relationship to the other in the writings of Jean-Lu...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
| Year of Publication: | 2022 |
| Language: | English |
| Online Access: | |
| Physical Description: | 1 online resource (200 p.) :; 10 B/W illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures
- Acknowledgements
- Introduction – Time, Existential Presence, and the Cinematic Image: Ethics and Emergence to Being in Film
- PART I The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom
- CHAPTER 1 Delayed Cinema and “This Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948)
- CHAPTER 2 La Demora (2012)
- CHAPTER 3 Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015)
- PART II Western Spaces: Landscapes of Denial, Death, and Freedom
- CHAPTER 4 El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico
- CHAPTER 5 The American Way: Time, Death and Resurrection in Iñárritu’s Western Masterpiece
- Epilogue – Time, Spacing, and the Body in Martin Scorsese’s The Age of Innocence (1993)
- Index