Time, Existential Presence and the Cinematic Image : : Ethics and Emergence to Being in Film / / Sam B. Girgus.
Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey’s theory of “delayed cinema” to ideas on time and the relationship to the other in the writings of Jean-Lu...
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| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
| Year of Publication: | 2022 |
| Language: | English |
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| Physical Description: | 1 online resource (200 p.) :; 10 B/W illustrations |
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Girgus, Sam B., author. aut http://id.loc.gov/vocabulary/relators/aut Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / Sam B. Girgus. Edinburgh : Edinburgh University Press, [2022] ©2018 1 online resource (200 p.) : 10 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction – Time, Existential Presence, and the Cinematic Image: Ethics and Emergence to Being in Film -- PART I The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom -- CHAPTER 1 Delayed Cinema and “This Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948) -- CHAPTER 2 La Demora (2012) -- CHAPTER 3 Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015) -- PART II Western Spaces: Landscapes of Denial, Death, and Freedom -- CHAPTER 4 El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico -- CHAPTER 5 The American Way: Time, Death and Resurrection in Iñárritu’s Western Masterpiece -- Epilogue – Time, Spacing, and the Body in Martin Scorsese’s The Age of Innocence (1993) -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Uses philosophical thinking on delayed cinema, time and ethics to provide a new approach to reading filmIn Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey’s theory of “delayed cinema” to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey’s phrase, “stillness and the moving image” enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens “free” cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Existentialism in motion pictures. Motion pictures Moral and ethical aspects. Motion pictures Philosophy. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 9783110780437 print 9781474436236 https://doi.org/10.1515/9781474436250 https://www.degruyter.com/isbn/9781474436250 Cover https://www.degruyter.com/document/cover/isbn/9781474436250/original |
| language |
English |
| format |
eBook |
| author |
Girgus, Sam B., Girgus, Sam B., |
| spellingShingle |
Girgus, Sam B., Girgus, Sam B., Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction – Time, Existential Presence, and the Cinematic Image: Ethics and Emergence to Being in Film -- PART I The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom -- CHAPTER 1 Delayed Cinema and “This Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948) -- CHAPTER 2 La Demora (2012) -- CHAPTER 3 Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015) -- PART II Western Spaces: Landscapes of Denial, Death, and Freedom -- CHAPTER 4 El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico -- CHAPTER 5 The American Way: Time, Death and Resurrection in Iñárritu’s Western Masterpiece -- Epilogue – Time, Spacing, and the Body in Martin Scorsese’s The Age of Innocence (1993) -- Index |
| author_facet |
Girgus, Sam B., Girgus, Sam B., |
| author_variant |
s b g sb sbg s b g sb sbg |
| author_role |
VerfasserIn VerfasserIn |
| author_sort |
Girgus, Sam B., |
| title |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / |
| title_sub |
Ethics and Emergence to Being in Film / |
| title_full |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / Sam B. Girgus. |
| title_fullStr |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / Sam B. Girgus. |
| title_full_unstemmed |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / Sam B. Girgus. |
| title_auth |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / |
| title_alt |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction – Time, Existential Presence, and the Cinematic Image: Ethics and Emergence to Being in Film -- PART I The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom -- CHAPTER 1 Delayed Cinema and “This Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948) -- CHAPTER 2 La Demora (2012) -- CHAPTER 3 Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015) -- PART II Western Spaces: Landscapes of Denial, Death, and Freedom -- CHAPTER 4 El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico -- CHAPTER 5 The American Way: Time, Death and Resurrection in Iñárritu’s Western Masterpiece -- Epilogue – Time, Spacing, and the Body in Martin Scorsese’s The Age of Innocence (1993) -- Index |
| title_new |
Time, Existential Presence and the Cinematic Image : |
| title_sort |
time, existential presence and the cinematic image : ethics and emergence to being in film / |
| publisher |
Edinburgh University Press, |
| publishDate |
2022 |
| physical |
1 online resource (200 p.) : 10 B/W illustrations |
| contents |
Frontmatter -- Contents -- Figures -- Acknowledgements -- Introduction – Time, Existential Presence, and the Cinematic Image: Ethics and Emergence to Being in Film -- PART I The Otherness of Existence and “Spacious Temporality”: Delayed Cinema and Freedom -- CHAPTER 1 Delayed Cinema and “This Space-Time of Freedom”: De Sica’s Bicycle Thieves (1948) -- CHAPTER 2 La Demora (2012) -- CHAPTER 3 Existence and Ethics in the Dardenne Brothers’ Two Days, One Night (2015) -- PART II Western Spaces: Landscapes of Denial, Death, and Freedom -- CHAPTER 4 El Viaje: Tommy Lee Jones and the Violent Times of the Mission to Mexico -- CHAPTER 5 The American Way: Time, Death and Resurrection in Iñárritu’s Western Masterpiece -- Epilogue – Time, Spacing, and the Body in Martin Scorsese’s The Age of Innocence (1993) -- Index |
| isbn |
9781474436250 9783110780437 9781474436236 |
| callnumber-first |
P - Language and Literature |
| callnumber-subject |
PN - General Literature |
| callnumber-label |
PN1995 |
| callnumber-sort |
PN 41995 G524 42018 |
| url |
https://doi.org/10.1515/9781474436250 https://www.degruyter.com/isbn/9781474436250 https://www.degruyter.com/document/cover/isbn/9781474436250/original |
| illustrated |
Not Illustrated |
| dewey-hundreds |
700 - Arts & recreation |
| dewey-tens |
790 - Sports, games & entertainment |
| dewey-ones |
791 - Public performances |
| dewey-full |
791.4301 |
| dewey-sort |
3791.4301 |
| dewey-raw |
791.4301 |
| dewey-search |
791.4301 |
| doi_str_mv |
10.1515/9781474436250 |
| oclc_num |
1312726201 |
| work_keys_str_mv |
AT girgussamb timeexistentialpresenceandthecinematicimageethicsandemergencetobeinginfilm |
| status_str |
n |
| ids_txt_mv |
(DE-B1597)614538 (OCoLC)1312726201 |
| carrierType_str_mv |
cr |
| hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
| is_hierarchy_title |
Time, Existential Presence and the Cinematic Image : Ethics and Emergence to Being in Film / |
| container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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1770176925898113024 |
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