Face-to-Face in Shakespearean Drama : : Ethics, Performance, Philosophy / / Matthew James Smith, Julia Reinhard Lupton.
Explores the drama of proximity and co-presence in Shakespeare’s playsBrings together the rare pairing of philosophical ethics and performance studies in Shakespeare’s playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanu...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (304 p.) |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgements
- Introduction
- Part I: Foundational Face Work
- 1. Outface and Interface
- 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets
- 3. The Course of Recognition in Cymbeline
- Part II: Composing Intimacy and Conflict
- 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet
- 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark
- Part III: Facing Judgement
- 6. The Face of Judgement in Measure for Measure
- 7. Then Face to Face: Timing Trust in Macbeth
- Part IV: Moving Pictures
- 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits
- 9. The Face as Rhetorical Self in Ben Jonson’s Literature
- 10. Hamlet’s Face
- Afterword: Theatre and Speculation
- Notes on Contributors
- Bibliography
- Index