Face-to-Face in Shakespearean Drama : : Ethics, Performance, Philosophy / / Matthew James Smith, Julia Reinhard Lupton.
Explores the drama of proximity and co-presence in Shakespeare’s playsBrings together the rare pairing of philosophical ethics and performance studies in Shakespeare’s playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanu...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
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James Smith, Matthew, author. aut http://id.loc.gov/vocabulary/relators/aut Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / Matthew James Smith, Julia Reinhard Lupton. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (304 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I: Foundational Face Work -- 1. Outface and Interface -- 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets -- 3. The Course of Recognition in Cymbeline -- Part II: Composing Intimacy and Conflict -- 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark -- Part III: Facing Judgement -- 6. The Face of Judgement in Measure for Measure -- 7. Then Face to Face: Timing Trust in Macbeth -- Part IV: Moving Pictures -- 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits -- 9. The Face as Rhetorical Self in Ben Jonson’s Literature -- 10. Hamlet’s Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores the drama of proximity and co-presence in Shakespeare’s playsBrings together the rare pairing of philosophical ethics and performance studies in Shakespeare’s playsEngages with the thought of philosophers including Ludwig Wittgenstein, Hannah Arendt, Paul Ricoeur, Stanley Cavell, and Emmanuel LevinasThis book celebrates the theatrical excitement and philosophical meanings of human interaction in Shakespeare. On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb – to face, outface, interface, efface, deface, sur-face – chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Acting Philosophy. Acting-Philosophy. Literary Studies. LITERARY CRITICISM / Drama. bisacsh Byker, Devin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Curran, Kevin, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Lupton, Julia Reinhard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Manley, Lawrence, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Reinhard Lupton, Julia , author. aut http://id.loc.gov/vocabulary/relators/aut Scolnicov, Hanna, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shimizu, Akihiko, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Shortslef, Emily, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Bruce R., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Smith, Matthew James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Waldron, Jennifer, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb West, William N., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Worthen, W. B., contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9781474435680 https://doi.org/10.1515/9781474435703?locatt=mode:legacy https://www.degruyter.com/isbn/9781474435703 Cover https://www.degruyter.com/document/cover/isbn/9781474435703/original |
language |
English |
format |
eBook |
author |
James Smith, Matthew, James Smith, Matthew, Reinhard Lupton, Julia , |
spellingShingle |
James Smith, Matthew, James Smith, Matthew, Reinhard Lupton, Julia , Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I: Foundational Face Work -- 1. Outface and Interface -- 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets -- 3. The Course of Recognition in Cymbeline -- Part II: Composing Intimacy and Conflict -- 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark -- Part III: Facing Judgement -- 6. The Face of Judgement in Measure for Measure -- 7. Then Face to Face: Timing Trust in Macbeth -- Part IV: Moving Pictures -- 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits -- 9. The Face as Rhetorical Self in Ben Jonson’s Literature -- 10. Hamlet’s Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index |
author_facet |
James Smith, Matthew, James Smith, Matthew, Reinhard Lupton, Julia , Byker, Devin, Byker, Devin, Curran, Kevin, Curran, Kevin, Lupton, Julia Reinhard, Lupton, Julia Reinhard, Manley, Lawrence, Manley, Lawrence, Reinhard Lupton, Julia , Reinhard Lupton, Julia , Scolnicov, Hanna, Scolnicov, Hanna, Shimizu, Akihiko, Shimizu, Akihiko, Shortslef, Emily, Shortslef, Emily, Smith, Bruce R., Smith, Bruce R., Smith, Matthew James, Smith, Matthew James, Waldron, Jennifer, Waldron, Jennifer, West, William N., West, William N., Worthen, W. B., Worthen, W. B., |
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Byker, Devin, Byker, Devin, Curran, Kevin, Curran, Kevin, Lupton, Julia Reinhard, Lupton, Julia Reinhard, Manley, Lawrence, Manley, Lawrence, Reinhard Lupton, Julia , Reinhard Lupton, Julia , Scolnicov, Hanna, Scolnicov, Hanna, Shimizu, Akihiko, Shimizu, Akihiko, Shortslef, Emily, Shortslef, Emily, Smith, Bruce R., Smith, Bruce R., Smith, Matthew James, Smith, Matthew James, Waldron, Jennifer, Waldron, Jennifer, West, William N., West, William N., Worthen, W. B., Worthen, W. B., |
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author_sort |
James Smith, Matthew, |
title |
Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / |
title_sub |
Ethics, Performance, Philosophy / |
title_full |
Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / Matthew James Smith, Julia Reinhard Lupton. |
title_fullStr |
Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / Matthew James Smith, Julia Reinhard Lupton. |
title_full_unstemmed |
Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / Matthew James Smith, Julia Reinhard Lupton. |
title_auth |
Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I: Foundational Face Work -- 1. Outface and Interface -- 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets -- 3. The Course of Recognition in Cymbeline -- Part II: Composing Intimacy and Conflict -- 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark -- Part III: Facing Judgement -- 6. The Face of Judgement in Measure for Measure -- 7. Then Face to Face: Timing Trust in Macbeth -- Part IV: Moving Pictures -- 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits -- 9. The Face as Rhetorical Self in Ben Jonson’s Literature -- 10. Hamlet’s Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index |
title_new |
Face-to-Face in Shakespearean Drama : |
title_sort |
face-to-face in shakespearean drama : ethics, performance, philosophy / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (304 p.) |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgements -- Introduction -- Part I: Foundational Face Work -- 1. Outface and Interface -- 2. ‘Everybody’s Somebody’s Fool’: Folie à Deux in Shakespeare’s Love Duets -- 3. The Course of Recognition in Cymbeline -- Part II: Composing Intimacy and Conflict -- 4. Face to Face, Hand to Hand: Relations of Exchange in Hamlet -- 5. Bed Tricks and Fantasies of Facelessness: All’s Well that Ends Well and Macbeth in the Dark -- Part III: Facing Judgement -- 6. The Face of Judgement in Measure for Measure -- 7. Then Face to Face: Timing Trust in Macbeth -- Part IV: Moving Pictures -- 8. The Man of Sorrows: Edgar’s Disguise and Dürer’s Self-portraits -- 9. The Face as Rhetorical Self in Ben Jonson’s Literature -- 10. Hamlet’s Face -- Afterword: Theatre and Speculation -- Notes on Contributors -- Bibliography -- Index |
isbn |
9781474435703 9783110780420 9781474435680 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PR - English Literature |
callnumber-label |
PR3091 |
callnumber-sort |
PR 43091 F33 42019 |
url |
https://doi.org/10.1515/9781474435703?locatt=mode:legacy https://www.degruyter.com/isbn/9781474435703 https://www.degruyter.com/document/cover/isbn/9781474435703/original |
illustrated |
Not Illustrated |
dewey-hundreds |
800 - Literature |
dewey-tens |
820 - English & Old English literatures |
dewey-ones |
822 - English drama |
dewey-full |
822.3/3 |
dewey-sort |
3822.3 13 |
dewey-raw |
822.3/3 |
dewey-search |
822.3/3 |
doi_str_mv |
10.1515/9781474435703?locatt=mode:legacy |
oclc_num |
1306538270 |
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Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Face-to-Face in Shakespearean Drama : Ethics, Performance, Philosophy / |
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On stage and in life, the face is always window and mirror, representation and presence. It examines the emotional and ethical surplus that appears between faces in the activity and performance of human encounter on stage. By transitioning from face as noun to verb – to face, outface, interface, efface, deface, sur-face – chapters reveal how Shakespeare's plays discover conflict, betrayal and deception as well as love, trust and forgiveness between faces and the bodies that bear them.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. 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