British Music Videos 1966 - 2016 : : Genre, Authenticity and Art / / Emily Caston.
A historical and theoretical study of British music video culture and industry from 1966 to 2016Sets out a new theoretical framework for music video analysisLocates music video within the larger historical context of the entertainment industriesConsiders evidence from detailed case study analyses of...
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| Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020 |
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| VerfasserIn: | |
| Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2020 |
| Year of Publication: | 2022 |
| Language: | English |
| Series: | Music and the Moving Image : MMI
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| Online Access: | |
| Physical Description: | 1 online resource (232 p.) :; 20 B/W illustrations |
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Table of Contents:
- Frontmatter
- CONTENTS
- ACKNOWLEDGEMENTS
- 1 A COMMERCIAL FILM ART
- 2 GENRE
- 3 EDITING
- 4 MOVEMENT AND DANCE
- 5 GENDER
- 6 AUTHORSHIP
- 7 DISTRIBUTION
- 8 ART, COMMERCE AND AMERICA
- 9 CONCLUSION
- APPENDICES
- I Primary Sources Personal communications
- II Listing and Film Credits for Landmark Special Edition Boxset
- BIBLIOGRAPHY
- INDEX