British Music Videos 1966 - 2016 : : Genre, Authenticity and Art / / Emily Caston.

A historical and theoretical study of British music video culture and industry from 1966 to 2016Sets out a new theoretical framework for music video analysisLocates music video within the larger historical context of the entertainment industriesConsiders evidence from detailed case study analyses of...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2020
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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2020
Year of Publication:2022
Language:English
Series:Music and the Moving Image : MMI
Online Access:
Physical Description:1 online resource (232 p.) :; 20 B/W illustrations
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100 1 |a Caston, Emily,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a British Music Videos 1966 - 2016 :  |b Genre, Authenticity and Art /  |c Emily Caston. 
264 1 |a Edinburgh :   |b Edinburgh University Press,   |c [2022] 
264 4 |c ©2020 
300 |a 1 online resource (232 p.) :  |b 20 B/W illustrations 
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490 0 |a Music and the Moving Image : MMI 
505 0 0 |t Frontmatter --   |t CONTENTS --   |t ACKNOWLEDGEMENTS --   |t 1 A COMMERCIAL FILM ART --   |t 2 GENRE --   |t 3 EDITING --   |t 4 MOVEMENT AND DANCE --   |t 5 GENDER --   |t 6 AUTHORSHIP --   |t 7 DISTRIBUTION --   |t 8 ART, COMMERCE AND AMERICA --   |t 9 CONCLUSION --   |t APPENDICES --   |t I Primary Sources Personal communications --   |t II Listing and Film Credits for Landmark Special Edition Boxset --   |t BIBLIOGRAPHY --   |t INDEX 
506 0 |a restricted access  |u http://purl.org/coar/access_right/c_16ec  |f online access with authorization  |2 star 
520 |a A historical and theoretical study of British music video culture and industry from 1966 to 2016Sets out a new theoretical framework for music video analysisLocates music video within the larger historical context of the entertainment industriesConsiders evidence from detailed case study analyses of one hundred landmark videosWatch the launch eventUsing fresh archival evidence and interviews, and setting out an original theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966 to 2016. She identifies not only their distinctive British traits but their parallels with British film genres and styles. By analysing the genre, craft and authorial voice of music video within the context of film and popular music, this book sheds new light on existing theoretical and historical questions about audiences, authorship, art and the creative industries. It reveals that, far from being an American cultural form, music video has its roots in British and European film traditions, and reveals significant ways in which British video has impacted popular film and music culture." 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023) 
650 0 |a Music videos  |z Great Britain  |x History and criticism. 
650 0 |a Popular music  |z Great Britain  |x History and criticism. 
650 4 |a Film, Media & Cultural Studies. 
650 7 |a MUSIC / Genres & Styles / General.  |2 bisacsh 
773 0 8 |i Title is part of eBook package:  |d De Gruyter  |t Edinburgh University Press Complete eBook-Package 2020  |z 9783110780413 
776 0 |c print  |z 9781474435321 
856 4 0 |u https://doi.org/10.1515/9781474435338 
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