New Transnationalisms in Contemporary Latin American Cinemas / / Dolores Tierney.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Tierney, Dolores,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Series: Traditions in World Cinema : TWC
• Physical Description: 1 online resource (296 p.) :; 24 B/W illustrations

A fresh perspective on the hugely successful Latin American films released at the turn of the 21st centuryIn the late 1990s and early 2000s Latin American films like Amores perros, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in the world mar...

Table of Contents

• Frontmatter
• CONTENTS
• ACKNOWLEDGEMENTS
• FIGURES
• TABLES
• TRADITIONS IN WORLD CINEMA
• INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING
• MEXICO: INTRODUCTION
• Introduction
• 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS
• 2. ‘FROM HOLLYWOOD AND BACK’: ALFONSO CUARÓN’S ADVENTURES IN GENRE
• 3. GUILLERMO DEL TORO’S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL’S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN’S LABYRINTH 2006)
• BRAZIL: INTRODUCTION
• Introduction
• 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR
• 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES’ DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012)
• ARGENTINA: INTRODUCTION
• Introduction
• 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009)
• EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015)
• SELECT FILMOGRAPHY
• BIBLIOGRAPHY
• INDEX