New Transnationalisms in Contemporary Latin American Cinemas / / Dolores Tierney.
A fresh perspective on the hugely successful Latin American films released at the turn of the 21st centuryIn the late 1990s and early 2000s Latin American films like Amores perros, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in the world mar...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2018 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in World Cinema : TWC
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Physical Description: | 1 online resource (296 p.) :; 24 B/W illustrations |
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Tierney, Dolores, author. aut http://id.loc.gov/vocabulary/relators/aut New Transnationalisms in Contemporary Latin American Cinemas / Dolores Tierney. Edinburgh : Edinburgh University Press, [2022] ©2018 1 online resource (296 p.) : 24 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. ‘FROM HOLLYWOOD AND BACK’: ALFONSO CUARÓN’S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO’S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL’S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN’S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- Introduction -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES’ DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- Introduction -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star A fresh perspective on the hugely successful Latin American films released at the turn of the 21st centuryIn the late 1990s and early 2000s Latin American films like Amores perros, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in the world market. Benefitting from external financial and/or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandro González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book examines these transnational films and the subsequent wave of commercially successful ‘deterritorialised’ films by the same directors. It argues that although films produced within the structures of the United States film industry may have been commercially successful, they are not necessarily apolitical or totally divorced from key notions of national or continental identity. Bringing a new perspective to the films of Latin America’s transnational auteurs, this is a major contribution towards understanding how different genres function across different cultures. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion picture producers and directors Latin America. Motion pictures and transnationalism Latin America. Motion pictures Latin America. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 9783110780437 print 9780748645732 https://doi.org/10.1515/9781474431118?locatt=mode:legacy https://www.degruyter.com/isbn/9781474431118 Cover https://www.degruyter.com/document/cover/isbn/9781474431118/original |
language |
English |
format |
eBook |
author |
Tierney, Dolores, Tierney, Dolores, |
spellingShingle |
Tierney, Dolores, Tierney, Dolores, New Transnationalisms in Contemporary Latin American Cinemas / Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. ‘FROM HOLLYWOOD AND BACK’: ALFONSO CUARÓN’S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO’S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL’S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN’S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES’ DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
author_facet |
Tierney, Dolores, Tierney, Dolores, |
author_variant |
d t dt d t dt |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Tierney, Dolores, |
title |
New Transnationalisms in Contemporary Latin American Cinemas / |
title_full |
New Transnationalisms in Contemporary Latin American Cinemas / Dolores Tierney. |
title_fullStr |
New Transnationalisms in Contemporary Latin American Cinemas / Dolores Tierney. |
title_full_unstemmed |
New Transnationalisms in Contemporary Latin American Cinemas / Dolores Tierney. |
title_auth |
New Transnationalisms in Contemporary Latin American Cinemas / |
title_alt |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. ‘FROM HOLLYWOOD AND BACK’: ALFONSO CUARÓN’S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO’S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL’S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN’S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES’ DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
title_new |
New Transnationalisms in Contemporary Latin American Cinemas / |
title_sort |
new transnationalisms in contemporary latin american cinemas / |
series |
Traditions in World Cinema : TWC |
series2 |
Traditions in World Cinema : TWC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (296 p.) : 24 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- ACKNOWLEDGEMENTS -- FIGURES -- TABLES -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: THE CULTURAL POLITICS OF TRANSNATIONAL FILMMAKING -- MEXICO: INTRODUCTION -- Introduction -- 1. ALEJANDRO GONZÁLEZ IÑÁRRITU: MEXICAN DIRECTOR WITHOUT BORDERS -- 2. ‘FROM HOLLYWOOD AND BACK’: ALFONSO CUARÓN’S ADVENTURES IN GENRE -- 3. GUILLERMO DEL TORO’S TRANSNATIONAL POLITICAL HORROR: CRONOS (1993), EL ESPINAZO DEL DIABLO (THE DEVIL’S BACKBONE 2001) AND EL LABERINTO DEL FAUNO (PAN’S LABYRINTH 2006) -- BRAZIL: INTRODUCTION -- 4. FERNANDO MEIRELLES AS TRANSNATIONAL AUTEUR -- 5. REVOLUTIONARY ROAD MOVIES: WALTER SALLES’ DIARIOS DE MOTOCICLETA (MOTORCYCLE DIARIES 2004) AND ON THE ROAD (2012) -- ARGENTINA: INTRODUCTION -- 6. JUAN JOSÉ CAMPANELLA: HISTORICAL MEMORY AND ACCOUNTABILITY IN EL SECRETO DE SUS OJOS (THE SECRET IN THEIR EYES 2009) -- EPILOGUE: GRAVITY (ALFONSO CUARÓN 2013), BIRDMAN (ALEJANDRO G. IÑÁRRITU 2014), THE REVENANT (G. IÑÁRRITU 2015) AND CRIMSON PEAK (GUILLERMO DEL TORO 2015) -- SELECT FILMOGRAPHY -- BIBLIOGRAPHY -- INDEX |
isbn |
9781474431118 9783110780437 9780748645732 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1993 |
callnumber-sort |
PN 41993.5 L3 T53 42018 |
geographic_facet |
Latin America. |
url |
https://doi.org/10.1515/9781474431118?locatt=mode:legacy https://www.degruyter.com/isbn/9781474431118 https://www.degruyter.com/document/cover/isbn/9781474431118/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43098 |
dewey-sort |
3791.43098 |
dewey-raw |
791.43098 |
dewey-search |
791.43098 |
doi_str_mv |
10.1515/9781474431118?locatt=mode:legacy |
oclc_num |
1312725763 |
work_keys_str_mv |
AT tierneydolores newtransnationalismsincontemporarylatinamericancinemas |
status_str |
n |
ids_txt_mv |
(DE-B1597)616439 (OCoLC)1312725763 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
is_hierarchy_title |
New Transnationalisms in Contemporary Latin American Cinemas / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018 |
_version_ |
1806143792402661376 |
fullrecord |
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