Francophone Belgian Cinema /

Francophone Belgian Cinema / / Jamie Steele.

Considers transnational, national and regional concepts within contemporary francophone Belgian cinemaFrancophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected ‘national’ and regional cinema. The book draws key distinctions between the local, national, small n...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019
VerfasserIn:
Steele, Jamie,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2019
Year of Publication:2022
Language:English
Series:Traditions in World Cinema : TWC
Online Access:
Physical Description:1 online resource (240 p.) :; 24 B/W illustrations
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Table of Contents:
  • Frontmatter
  • CONTENTS
  • FIGURES
  • ACKNOWLEDGEMENTS
  • TRADITIONS IN WORLD CINEMA
  • INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA
  • 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION
  • 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014)
  • 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA
  • 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006)
  • 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005)
  • 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE
  • CONCLUSION
  • WORKS CITED
  • FILMS CITED
  • INDEX

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