Francophone Belgian Cinema / / Jamie Steele.
Considers transnational, national and regional concepts within contemporary francophone Belgian cinemaFrancophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected ‘national’ and regional cinema. The book draws key distinctions between the local, national, small n...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2019 |
Year of Publication: | 2022 |
Language: | English |
Series: | Traditions in World Cinema : TWC
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Physical Description: | 1 online resource (240 p.) :; 24 B/W illustrations |
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Steele, Jamie, author. aut http://id.loc.gov/vocabulary/relators/aut Francophone Belgian Cinema / Jamie Steele. Edinburgh : Edinburgh University Press, [2022] ©2019 1 online resource (240 p.) : 24 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA -- 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION -- 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014) -- 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA -- 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006) -- 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005) -- 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE -- CONCLUSION -- WORKS CITED -- FILMS CITED -- INDEX restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Considers transnational, national and regional concepts within contemporary francophone Belgian cinemaFrancophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected ‘national’ and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers’ themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation. This is complemented by an analysis of how the industrial aspects of film production, distribution and exhibition contribute to the creation of both a regional and transnational cinema.Key featuresAn industrial and representational analysis of films produced in Wallonia since the early 2000sIncludes detailed case studies of five key filmmakers to emerge from Belgium and Wallonia: the Dardenne brothers; Joachim Lafosse; Olivier Masset-Depasse; Lucas Belvaux; and Bouli LannersProvides a new outlook on European film cultures and cinemas from small nations that share linguistic partners Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) Motion picture producers and directors Belgium. Motion pictures Belgium History. Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / Direction & Production. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 9783110780420 print 9781474420761 https://doi.org/10.1515/9781474420778 https://www.degruyter.com/isbn/9781474420778 Cover https://www.degruyter.com/document/cover/isbn/9781474420778/original |
language |
English |
format |
eBook |
author |
Steele, Jamie, Steele, Jamie, |
spellingShingle |
Steele, Jamie, Steele, Jamie, Francophone Belgian Cinema / Traditions in World Cinema : TWC Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA -- 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION -- 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014) -- 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA -- 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006) -- 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005) -- 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE -- CONCLUSION -- WORKS CITED -- FILMS CITED -- INDEX |
author_facet |
Steele, Jamie, Steele, Jamie, |
author_variant |
j s js j s js |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Steele, Jamie, |
title |
Francophone Belgian Cinema / |
title_full |
Francophone Belgian Cinema / Jamie Steele. |
title_fullStr |
Francophone Belgian Cinema / Jamie Steele. |
title_full_unstemmed |
Francophone Belgian Cinema / Jamie Steele. |
title_auth |
Francophone Belgian Cinema / |
title_alt |
Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA -- 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION -- 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014) -- 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA -- 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006) -- 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005) -- 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE -- CONCLUSION -- WORKS CITED -- FILMS CITED -- INDEX |
title_new |
Francophone Belgian Cinema / |
title_sort |
francophone belgian cinema / |
series |
Traditions in World Cinema : TWC |
series2 |
Traditions in World Cinema : TWC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (240 p.) : 24 B/W illustrations |
contents |
Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGEMENTS -- TRADITIONS IN WORLD CINEMA -- INTRODUCTION: REGIONAL/NATIONAL/ TRANSNATIONAL DEBATES IN FRANCOPHONE BELGIAN CINEMA -- 1. THE (FRANCOPHONE) BELGIAN FILM ECOSYSTEM: TRENDS IN PRODUCTION, DISTRIBUTION AND EXHIBITION -- 2. ‘NO FUTURE’: SOCIAL MARGINALISATION, SOCIAL PRECARIOUSNESS AND DEPICTIONS OF SERAING IN LE GAMIN AU VÉLO (JEANPIERRE AND LUC DARDENNE, 2011) AND DEUX JOURS, UNE NUIT (JEAN-PIERRE AND LUC DARDENNE, 2014) -- 3. ‘STILLS’ AND FRAGMENTED FAMILIES: CONTEMPLATING THE PRIVATE SPHERE IN JOACHIM LAFOSSE’S WALLONIA -- 4. FROM SLAG HEAPS TO CLIFFS: THE ‘MARKED’ REGIONAL LANDSCAPE IN CAGES (OLIVIER MASSET-DEPASSE, 2006) -- 5. THE FRANCOPHONE BELGIAN ROAD MOVIE: ELDORADO (BOULI LANNERS, 2008) AND ULTRANOVA (BOULI LANNERS, 2005) -- 6. LUCAS BELVAUX’S RETURN: THE THRILLER GENRE AND HEISTS IN LIÈGE -- CONCLUSION -- WORKS CITED -- FILMS CITED -- INDEX |
isbn |
9781474420778 9783110780420 9781474420761 |
geographic_facet |
Belgium. Belgium |
url |
https://doi.org/10.1515/9781474420778 https://www.degruyter.com/isbn/9781474420778 https://www.degruyter.com/document/cover/isbn/9781474420778/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430232092243 |
dewey-sort |
3791.430232092243 |
dewey-raw |
791.430232092243 |
dewey-search |
791.430232092243 |
doi_str_mv |
10.1515/9781474420778 |
oclc_num |
1312726853 |
work_keys_str_mv |
AT steelejamie francophonebelgiancinema |
status_str |
n |
ids_txt_mv |
(DE-B1597)615875 (OCoLC)1312726853 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
is_hierarchy_title |
Francophone Belgian Cinema / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2019 |
_version_ |
1770176924498264064 |
fullrecord |
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