Cinema-monde : : Decentred Perspectives on Global Filmmaking in French /

Cinema-monde : : Decentred Perspectives on Global Filmmaking in French / / Michael Gott, Thibaut Schilt.

A wide-ranging study of developments in global French-language cinemaThe first book devoted to a wide-ranging study of developments in global French-language cinema, from Quebec to Mauritania and from Belgium to Cambodia, Cinéma-monde picks up on the lively scholarly debates generated by the related...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
VerfasserIn:
Gott, Michael,
Schilt, Thibaut,
MitwirkendeR:
Dima, Vlad,
Ennaïli, Leïla,
Gott, Michael,
Higbee, Will,
Kealhofer-Kemp, Leslie,
King, Gemma,
Mai, Joseph,
Marshall, Bill,
Mazdon, Lucy,
Oscherwitz, Dayna,
Reeck, Laura,
Rice, Alison,
Rosello, Mireille,
Schilt, Thibaut,
Steele, Jamie,
Stewart, Michelle,
Yervasi, Carina,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2018
Year of Publication:2022
Language:English
Online Access:
Physical Description:1 online resource (392 p.) :; 25 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • List of Figures
  • Notes on Contributors
  • Acknowledgements
  • Introduction: The Kaleidoscope of Cinéma-monde
  • Part I From Local to Global: The Cinéma(s)-monde(s) of Auteurs and Actors
  • 1 Site 2: Style and Encounter in Rithy Panh’s Cinéma-monde
  • 2 Globalisation, Cinema and Terrorism in Rachid Bouchareb’s Films: London River, Baton Rouge and Little Senegal
  • 3 Guerrilla Filmmaking with Rachid Djaïdani
  • 4 Globalisation, Cinéma-monde and the Work of Abderrahmane Sissako
  • 5 The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers
  • Part II Voyages, Limits and Borders
  • 6 Lost at Sea or Charting a New Course? Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films
  • 7 The Beautiful Fantasy: Imaginary Representations of Football in West African Cinema
  • 8 Merry Christmas in No Man’s Land: European Borders, Language Barriers and Front Lines in Christian Carion’s Joyeux Noël
  • 9 An Ostrich, a Backhoe and a few Ski-Doos: Tracking the Road Movie in Quebec and Beyond
  • 10 Accented Mappings of France in a Globalised World: Le Havre (2011) and Samba (2014) through the Lens of Cinémamonde
  • Part III Hubs and Spheres of Production
  • 11 Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital
  • 12 Cinema Made in Liège: A ‘Hub’ of Francophone Belgian Filmmaking
  • 13 ‘Images of Diversity’: Film Policy and the State Struggle for the Representation of Difference in French Cinema
  • 14 Youth and Média-engagé: Is This West Africa’s Heterolinguistic Cinéma-monde?
  • Epilogues
  • Worlds Within; In the World
  • Cinéma-monde as a Call to Arms
  • Cinéma-monde and the Transnational
  • Index

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