Cinema-monde : : Decentred Perspectives on Global Filmmaking in French / / Michael Gott, Thibaut Schilt.

• Superior document: Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2018
• VerfasserIn: Gott, Michael,; Schilt, Thibaut,
• MitwirkendeR: Dima, Vlad,; Ennaïli, Leïla,; Gott, Michael,; Higbee, Will,; Kealhofer-Kemp, Leslie,; King, Gemma,; Mai, Joseph,; Marshall, Bill,; Mazdon, Lucy,; Oscherwitz, Dayna,; Reeck, Laura,; Rice, Alison,; Rosello, Mireille,; Schilt, Thibaut,; Steele, Jamie,; Stewart, Michelle,; Yervasi, Carina,
• Place / Publishing House: Edinburgh : : Edinburgh University Press, , [2022]; ©2018
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (392 p.) :; 25 B/W illustrations

A wide-ranging study of developments in global French-language cinemaThe first book devoted to a wide-ranging study of developments in global French-language cinema, from Quebec to Mauritania and from Belgium to Cambodia, Cinéma-monde picks up on the lively scholarly debates generated by the related topic of littérature-monde. Extending the scope of this debate to cover the thriving and diverse area of international French-language cinema, this innovative book also considers cinema from France within the context of global production. With contributions from an international range of specialists, and with considerations of works by contemporary directors like Rachid Bouchareb, Abderrahmane Sissako and Rithy Panh, Cinéma-monde explores the porous borders around francophone spaces and the ways in which languages and identities ‘travel’ in contemporary cinema.ContributorsJoseph Mai (Clemson University)Mireille Rosello (University of Amsterdam)Laura Reeck (Allegheny College)Dayna Oscherwitz (Southern Methodist University)Leslie Kealhofer-Kemp (University of Rhode Island)Michael Gott (University of Cincinnati)Vlad Dima (University of Wisconsin) Gemma King (Australian National University)Thibaut Schilt (College of the Holy Cross)Leïla Ennaïli (Central Michigan University)Alison Rice (University of Notre Dame)Jaime Steele (University of Exeter)Michelle Stewart (SUNY-Purchase)Carina Yervasi (Swarthmore College)Bill Marshall (University of Stirling)Lucy Mazdon (University of Southampton)Will Higbee (University of Exeter)

Table of Contents

Frontmatter -- Contents -- List of Figures -- Notes on Contributors -- Acknowledgements -- Introduction: The Kaleidoscope of Cinéma-monde -- Part I From Local to Global: The Cinéma(s)-monde(s) of Auteurs and Actors -- 1 Site 2: Style and Encounter in Rithy Panh’s Cinéma-monde -- 2 Globalisation, Cinema and Terrorism in Rachid Bouchareb’s Films: London River, Baton Rouge and Little Senegal -- 3 Guerrilla Filmmaking with Rachid Djaïdani -- 4 Globalisation, Cinéma-monde and the Work of Abderrahmane Sissako -- 5 The Career of Actress Hafsia Herzi: Crossing Borders, Challenging Barriers -- Part II Voyages, Limits and Borders -- 6 Lost at Sea or Charting a New Course? Mapping the Murky Contours of Cinéma-monde in Floating Francophone Films -- 7 The Beautiful Fantasy: Imaginary Representations of Football in West African Cinema -- 8 Merry Christmas in No Man’s Land: European Borders, Language Barriers and Front Lines in Christian Carion’s Joyeux Noël -- 9 An Ostrich, a Backhoe and a few Ski-Doos: Tracking the Road Movie in Quebec and Beyond -- 10 Accented Mappings of France in a Globalised World: Le Havre (2011) and Samba (2014) through the Lens of Cinémamonde -- Part III Hubs and Spheres of Production -- 11 Activist Cinéma-monde in Paris: Filming Foreigners in the French Capital -- 12 Cinema Made in Liège: A ‘Hub’ of Francophone Belgian Filmmaking -- 13 ‘Images of Diversity’: Film Policy and the State Struggle for the Representation of Difference in French Cinema -- 14 Youth and Média-engagé: Is This West Africa’s Heterolinguistic Cinéma-monde? -- Epilogues -- Worlds Within; In the World -- Cinéma-monde as a Call to Arms -- Cinéma-monde and the Transnational -- Index