Listening for Theatrical Form in Early Modern England /

Listening for Theatrical Form in Early Modern England / / Allison Deutermann.

Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shape...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
VerfasserIn:
Deutermann, Allison,
Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
©2016
Year of Publication:2022
Language:English
Series:Edinburgh Critical Studies in Renaissance Culture : ECSRC
Online Access:
Physical Description:1 online resource (208 p.) :; 6 B/W illustrations
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgements
  • Series Editor's Preface
  • 1. Introduction: 'Audiences to this Act'
  • 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy
  • 3. 'Sprinkled Among your Ears': Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu
  • 4. 'Caviare to the General'?: Taste, Hearing and Genre in Hamlet
  • 5. Listening for Form at the Cockpit Theatre
  • 6. Epilogue
  • Bibliography
  • Index

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