Listening for Theatrical Form in Early Modern England / / Allison Deutermann.
Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shape...
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2016 |
Year of Publication: | 2022 |
Language: | English |
Series: | Edinburgh Critical Studies in Renaissance Culture : ECSRC
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Physical Description: | 1 online resource (208 p.) :; 6 B/W illustrations |
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Deutermann, Allison, author. aut http://id.loc.gov/vocabulary/relators/aut Listening for Theatrical Form in Early Modern England / Allison Deutermann. Edinburgh : Edinburgh University Press, [2022] ©2016 1 online resource (208 p.) : 6 B/W illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Edinburgh Critical Studies in Renaissance Culture : ECSRC Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- 1. Introduction: 'Audiences to this Act' -- 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy -- 3. 'Sprinkled Among your Ears': Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu -- 4. 'Caviare to the General'?: Taste, Hearing and Genre in Hamlet -- 5. Listening for Form at the Cockpit Theatre -- 6. Epilogue -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the two of its most popular genres: revenge tragedy and city comedy. Simply put, theatregoers were taught to hear these plays differently. Revenge tragedies by Shakespeare and Kyd imagine sound stabbing, piercing, and slicing into listeners' bodies on and off the stage; while comedies by Jonson and Marston imagine it being sampled selectively, according to taste. Listening for Theatrical Form in Early Modern England traces the dialectical development of these two genres and auditory modes over six decades of commercial theatre history, combining surveys of the theatrical marketplace with focused attention to specific plays and to the non-dramatic literature that gives this interest in audition texture: anatomy texts, sermons, music treatises, and manuals on rhetoric and poetics.Key Features Invites new attention to the theatre as something heard, rather than as something seen, in performanceProvides a model for understanding aesthetic forms as developing in competitive response to one another in particular historical circumstancesEnriches our sense of early modern playgoers' auditory experience, and of dramatists' attempt to shape it Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) English drama Early modern and Elizabethan, 1500-1600 History and criticism. English drama, Early modern and Elizabethan, 1500-1600; History and criticism. Theater England History 16th century. Theater; England; History, 16th century. Theaters Sound effects. Literary Studies. LITERARY CRITICISM / General. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 9783110780444 print 9781474411264 https://doi.org/10.1515/9781474411271?locatt=mode:legacy https://www.degruyter.com/isbn/9781474411271 Cover https://www.degruyter.com/document/cover/isbn/9781474411271/original |
language |
English |
format |
eBook |
author |
Deutermann, Allison, Deutermann, Allison, |
spellingShingle |
Deutermann, Allison, Deutermann, Allison, Listening for Theatrical Form in Early Modern England / Edinburgh Critical Studies in Renaissance Culture : ECSRC Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- 1. Introduction: 'Audiences to this Act' -- 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy -- 3. 'Sprinkled Among your Ears': Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu -- 4. 'Caviare to the General'?: Taste, Hearing and Genre in Hamlet -- 5. Listening for Form at the Cockpit Theatre -- 6. Epilogue -- Bibliography -- Index |
author_facet |
Deutermann, Allison, Deutermann, Allison, |
author_variant |
a d ad a d ad |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Deutermann, Allison, |
title |
Listening for Theatrical Form in Early Modern England / |
title_full |
Listening for Theatrical Form in Early Modern England / Allison Deutermann. |
title_fullStr |
Listening for Theatrical Form in Early Modern England / Allison Deutermann. |
title_full_unstemmed |
Listening for Theatrical Form in Early Modern England / Allison Deutermann. |
title_auth |
Listening for Theatrical Form in Early Modern England / |
title_alt |
Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- 1. Introduction: 'Audiences to this Act' -- 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy -- 3. 'Sprinkled Among your Ears': Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu -- 4. 'Caviare to the General'?: Taste, Hearing and Genre in Hamlet -- 5. Listening for Form at the Cockpit Theatre -- 6. Epilogue -- Bibliography -- Index |
title_new |
Listening for Theatrical Form in Early Modern England / |
title_sort |
listening for theatrical form in early modern england / |
series |
Edinburgh Critical Studies in Renaissance Culture : ECSRC |
series2 |
Edinburgh Critical Studies in Renaissance Culture : ECSRC |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (208 p.) : 6 B/W illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgements -- Series Editor's Preface -- 1. Introduction: 'Audiences to this Act' -- 2. Sound in Mind and Body: Hearing Early Modern Revenge Tragedy -- 3. 'Sprinkled Among your Ears': Ben Jonson, John Marston and the Cultivation of the Listening Connoisseu -- 4. 'Caviare to the General'?: Taste, Hearing and Genre in Hamlet -- 5. Listening for Form at the Cockpit Theatre -- 6. Epilogue -- Bibliography -- Index |
isbn |
9781474411271 9783110780444 9781474411264 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN2589 |
callnumber-sort |
PN 42589 D48 42016 |
geographic_facet |
England |
era_facet |
Early modern and Elizabethan, 1500-1600 16th century. |
url |
https://doi.org/10.1515/9781474411271?locatt=mode:legacy https://www.degruyter.com/isbn/9781474411271 https://www.degruyter.com/document/cover/isbn/9781474411271/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
792 - Stage presentations |
dewey-full |
792.0942 |
dewey-sort |
3792.0942 |
dewey-raw |
792.0942 |
dewey-search |
792.0942 |
doi_str_mv |
10.1515/9781474411271?locatt=mode:legacy |
work_keys_str_mv |
AT deutermannallison listeningfortheatricalforminearlymodernengland |
status_str |
n |
ids_txt_mv |
(DE-B1597)616903 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
is_hierarchy_title |
Listening for Theatrical Form in Early Modern England / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
_version_ |
1806143790839234560 |
fullrecord |
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