Deleuze's Cinema Books : : Three Introductions to the Taxonomy of Images / / David Deamer.
Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedur...
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Superior document: | Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
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Place / Publishing House: | Edinburgh : : Edinburgh University Press, , [2022] ©2016 |
Year of Publication: | 2022 |
Language: | English |
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Physical Description: | 1 online resource (400 p.) :; 40 B/W illustrations 1 colour illustrations |
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Table of Contents:
- Frontmatter
- Contents
- Figures and frames
- Acknowledgements
- Abbreviations
- Preface: a Deleuzian cineosis
- Part One Unfolding the Cineosis
- Section I First Introduction Two Regimes of Images
- Movement-images and time-images: Bergson, image and duration
- Movement-images: Peirce, semiosis
- Time-images: Deleuze, syntheses
- Time-images and movement-images: Bergson, duration and image
- Section II Second Introduction A Series of Images and Signs
- Perception-images
- Affection-images
- Impulse-images (the nascent action-image)
- Action-images (small form, action → situation)
- Action-images (large form, situation → action)
- Attraction-images (first reflection-image; sixth mental-image)
- Inversion-images (second reflection-image; fifth mental-image)
- Discourse-images (third reflection-image; fourth mental-image)
- Dream-images (third mental-image)
- Recollection-images (second mental-image)
- Relation-images (first mental-image)
- Opsigns and sonsigns
- Hyalosigns
- Chronosigns
- Noosigns
- Lectosigns
- Afterword to Part One: the unfolded cineosis
- Section III Third Introduction Cinematographics (1995-2015)
- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception
- Timecode Liquid perception
- Naqoyqatsi Gaseous perception
- Theeviravaathi/The Terrorist Icon
- Despicable Me, Despicable Me 2 and Minions
- Le quattro volte/Four Times Any-space-whatever
- The Human Centipede (First Sequence).Symptom
- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2
- Innocence Originary World
- Madeo/Mother Index of lack
- The Killer Inside Me Index of equivocity
- Ajami Vector
- marxism today (prologue) and untitled Milieu
- Made in Dagenham Binomial
- Slackistan Figure of enfeeblement
- Un homme qui crie/A Screaming Man Quotidian
- Monsters Limit of the large form action-image
- Brooklyn's Finest Limit of the small form action-image
- Metro Manila Limit of the action-image
- Star Trek - First Contact Rich dreams
- The Machinist Restrained dreams
- Inception Movement of world
- El secreto de sus ojos/The Secret in Their Eyes Strong destiny
- White Material Weak destiny
- Triangle Forking paths
- Se7en Mark
- Doctor Who - The Day of the Doctor Demark
- Buried Symbol
- Five Opsigns and sonsigns
- Black Swan Mirrors face to face
- Self Made Limpid and opaque
- Synecdoche, New York Seed and environment
- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present
- Russkiy kovcheg/Russian Ark Sheets of the past
- Er shi si cheng ji/24 City Powers of the false
- I'm Not There Bodies of attitude
- Politist, adjectiv/Police, AdjectiveBodies of gest
- Dogville Cinema of the brain
- Enter the Void Lectosigns
- Select bibliography
- Filmography
- Index