Deleuze's Cinema Books : : Three Introductions to the Taxonomy of Images / / David Deamer.

Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedur...

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Place / Publishing House:Edinburgh : : Edinburgh University Press, , [2022]
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Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer.
Edinburgh : Edinburgh University Press, [2022]
©2016
1 online resource (400 p.) : 40 B/W illustrations 1 colour illustrations
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.Key FeaturesAn interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophyA reading of Peirce's semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-imageAn examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-imageConcise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them44 film readings - one for each cinematic sign - to clarify their application
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
Film, Media & Cultural Studies.
PERFORMING ARTS / Film & Video / History & Criticism. bisacsh
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 9783110780444
print 9781474407670
https://doi.org/10.1515/9781474407694
https://www.degruyter.com/isbn/9781474407694
Cover https://www.degruyter.com/document/cover/isbn/9781474407694/original
language English
format eBook
author Deamer, David,
Deamer, David,
spellingShingle Deamer, David,
Deamer, David,
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images /
Frontmatter --
Contents --
Figures and frames --
Acknowledgements --
Abbreviations --
Preface: a Deleuzian cineosis --
Part One Unfolding the Cineosis --
Section I First Introduction Two Regimes of Images --
Movement-images and time-images: Bergson, image and duration --
Movement-images: Peirce, semiosis --
Time-images: Deleuze, syntheses --
Time-images and movement-images: Bergson, duration and image --
Section II Second Introduction A Series of Images and Signs --
Perception-images --
Affection-images --
Impulse-images (the nascent action-image) --
Action-images (small form, action → situation) --
Action-images (large form, situation → action) --
Attraction-images (first reflection-image; sixth mental-image) --
Inversion-images (second reflection-image; fifth mental-image) --
Discourse-images (third reflection-image; fourth mental-image) --
Dream-images (third mental-image) --
Recollection-images (second mental-image) --
Relation-images (first mental-image) --
Opsigns and sonsigns --
Hyalosigns --
Chronosigns --
Noosigns --
Lectosigns --
Afterword to Part One: the unfolded cineosis --
Section III Third Introduction Cinematographics (1995-2015) --
Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception --
Timecode Liquid perception --
Naqoyqatsi Gaseous perception --
Theeviravaathi/The Terrorist Icon --
Despicable Me, Despicable Me 2 and Minions --
Le quattro volte/Four Times Any-space-whatever --
The Human Centipede (First Sequence).Symptom --
Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 --
Innocence Originary World --
Madeo/Mother Index of lack --
The Killer Inside Me Index of equivocity --
Ajami Vector --
marxism today (prologue) and untitled Milieu --
Made in Dagenham Binomial --
Slackistan Figure of enfeeblement --
Un homme qui crie/A Screaming Man Quotidian --
Monsters Limit of the large form action-image --
Brooklyn's Finest Limit of the small form action-image --
Metro Manila Limit of the action-image --
Star Trek - First Contact Rich dreams --
The Machinist Restrained dreams --
Inception Movement of world --
El secreto de sus ojos/The Secret in Their Eyes Strong destiny --
White Material Weak destiny --
Triangle Forking paths --
Se7en Mark --
Doctor Who - The Day of the Doctor Demark --
Buried Symbol --
Five Opsigns and sonsigns --
Black Swan Mirrors face to face --
Self Made Limpid and opaque --
Synecdoche, New York Seed and environment --
Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present --
Russkiy kovcheg/Russian Ark Sheets of the past --
Er shi si cheng ji/24 City Powers of the false --
I'm Not There Bodies of attitude --
Politist, adjectiv/Police, AdjectiveBodies of gest --
Dogville Cinema of the brain --
Enter the Void Lectosigns --
Select bibliography --
Filmography --
Index
author_facet Deamer, David,
Deamer, David,
author_variant d d dd
d d dd
author_role VerfasserIn
VerfasserIn
author_sort Deamer, David,
title Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images /
title_sub Three Introductions to the Taxonomy of Images /
title_full Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer.
title_fullStr Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer.
title_full_unstemmed Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer.
title_auth Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images /
title_alt Frontmatter --
Contents --
Figures and frames --
Acknowledgements --
Abbreviations --
Preface: a Deleuzian cineosis --
Part One Unfolding the Cineosis --
Section I First Introduction Two Regimes of Images --
Movement-images and time-images: Bergson, image and duration --
Movement-images: Peirce, semiosis --
Time-images: Deleuze, syntheses --
Time-images and movement-images: Bergson, duration and image --
Section II Second Introduction A Series of Images and Signs --
Perception-images --
Affection-images --
Impulse-images (the nascent action-image) --
Action-images (small form, action → situation) --
Action-images (large form, situation → action) --
Attraction-images (first reflection-image; sixth mental-image) --
Inversion-images (second reflection-image; fifth mental-image) --
Discourse-images (third reflection-image; fourth mental-image) --
Dream-images (third mental-image) --
Recollection-images (second mental-image) --
Relation-images (first mental-image) --
Opsigns and sonsigns --
Hyalosigns --
Chronosigns --
Noosigns --
Lectosigns --
Afterword to Part One: the unfolded cineosis --
Section III Third Introduction Cinematographics (1995-2015) --
Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception --
Timecode Liquid perception --
Naqoyqatsi Gaseous perception --
Theeviravaathi/The Terrorist Icon --
Despicable Me, Despicable Me 2 and Minions --
Le quattro volte/Four Times Any-space-whatever --
The Human Centipede (First Sequence).Symptom --
Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 --
Innocence Originary World --
Madeo/Mother Index of lack --
The Killer Inside Me Index of equivocity --
Ajami Vector --
marxism today (prologue) and untitled Milieu --
Made in Dagenham Binomial --
Slackistan Figure of enfeeblement --
Un homme qui crie/A Screaming Man Quotidian --
Monsters Limit of the large form action-image --
Brooklyn's Finest Limit of the small form action-image --
Metro Manila Limit of the action-image --
Star Trek - First Contact Rich dreams --
The Machinist Restrained dreams --
Inception Movement of world --
El secreto de sus ojos/The Secret in Their Eyes Strong destiny --
White Material Weak destiny --
Triangle Forking paths --
Se7en Mark --
Doctor Who - The Day of the Doctor Demark --
Buried Symbol --
Five Opsigns and sonsigns --
Black Swan Mirrors face to face --
Self Made Limpid and opaque --
Synecdoche, New York Seed and environment --
Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present --
Russkiy kovcheg/Russian Ark Sheets of the past --
Er shi si cheng ji/24 City Powers of the false --
I'm Not There Bodies of attitude --
Politist, adjectiv/Police, AdjectiveBodies of gest --
Dogville Cinema of the brain --
Enter the Void Lectosigns --
Select bibliography --
Filmography --
Index
title_new Deleuze's Cinema Books :
title_sort deleuze's cinema books : three introductions to the taxonomy of images /
publisher Edinburgh University Press,
publishDate 2022
physical 1 online resource (400 p.) : 40 B/W illustrations 1 colour illustrations
Issued also in print.
contents Frontmatter --
Contents --
Figures and frames --
Acknowledgements --
Abbreviations --
Preface: a Deleuzian cineosis --
Part One Unfolding the Cineosis --
Section I First Introduction Two Regimes of Images --
Movement-images and time-images: Bergson, image and duration --
Movement-images: Peirce, semiosis --
Time-images: Deleuze, syntheses --
Time-images and movement-images: Bergson, duration and image --
Section II Second Introduction A Series of Images and Signs --
Perception-images --
Affection-images --
Impulse-images (the nascent action-image) --
Action-images (small form, action → situation) --
Action-images (large form, situation → action) --
Attraction-images (first reflection-image; sixth mental-image) --
Inversion-images (second reflection-image; fifth mental-image) --
Discourse-images (third reflection-image; fourth mental-image) --
Dream-images (third mental-image) --
Recollection-images (second mental-image) --
Relation-images (first mental-image) --
Opsigns and sonsigns --
Hyalosigns --
Chronosigns --
Noosigns --
Lectosigns --
Afterword to Part One: the unfolded cineosis --
Section III Third Introduction Cinematographics (1995-2015) --
Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception --
Timecode Liquid perception --
Naqoyqatsi Gaseous perception --
Theeviravaathi/The Terrorist Icon --
Despicable Me, Despicable Me 2 and Minions --
Le quattro volte/Four Times Any-space-whatever --
The Human Centipede (First Sequence).Symptom --
Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 --
Innocence Originary World --
Madeo/Mother Index of lack --
The Killer Inside Me Index of equivocity --
Ajami Vector --
marxism today (prologue) and untitled Milieu --
Made in Dagenham Binomial --
Slackistan Figure of enfeeblement --
Un homme qui crie/A Screaming Man Quotidian --
Monsters Limit of the large form action-image --
Brooklyn's Finest Limit of the small form action-image --
Metro Manila Limit of the action-image --
Star Trek - First Contact Rich dreams --
The Machinist Restrained dreams --
Inception Movement of world --
El secreto de sus ojos/The Secret in Their Eyes Strong destiny --
White Material Weak destiny --
Triangle Forking paths --
Se7en Mark --
Doctor Who - The Day of the Doctor Demark --
Buried Symbol --
Five Opsigns and sonsigns --
Black Swan Mirrors face to face --
Self Made Limpid and opaque --
Synecdoche, New York Seed and environment --
Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present --
Russkiy kovcheg/Russian Ark Sheets of the past --
Er shi si cheng ji/24 City Powers of the false --
I'm Not There Bodies of attitude --
Politist, adjectiv/Police, AdjectiveBodies of gest --
Dogville Cinema of the brain --
Enter the Void Lectosigns --
Select bibliography --
Filmography --
Index
isbn 9781474407694
9783110780444
9781474407670
url https://doi.org/10.1515/9781474407694
https://www.degruyter.com/isbn/9781474407694
https://www.degruyter.com/document/cover/isbn/9781474407694/original
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 791 - Public performances
dewey-full 791.4301
dewey-sort 3791.4301
dewey-raw 791.4301
dewey-search 791.4301
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hierarchy_parent_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
is_hierarchy_title Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images /
container_title Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016
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Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.Key FeaturesAn interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophyA reading of Peirce's semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-imageAn examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-imageConcise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them44 film readings - one for each cinematic sign - to clarify their application</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media &amp; Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film &amp; Video / History &amp; Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2016</subfield><subfield code="z">9783110780444</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474407670</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474407694</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474407694</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474407694/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078044-4 Edinburgh University Press Complete eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection>