Deleuze's Cinema Books : : Three Introductions to the Taxonomy of Images / / David Deamer.
Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedur...
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Deamer, David, author. aut http://id.loc.gov/vocabulary/relators/aut Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer. Edinburgh : Edinburgh University Press, [2022] ©2016 1 online resource (400 p.) : 40 B/W illustrations 1 colour illustrations text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.Key FeaturesAn interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophyA reading of Peirce's semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-imageAn examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-imageConcise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them44 film readings - one for each cinematic sign - to clarify their application Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) Film, Media & Cultural Studies. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 9783110780444 print 9781474407670 https://doi.org/10.1515/9781474407694 https://www.degruyter.com/isbn/9781474407694 Cover https://www.degruyter.com/document/cover/isbn/9781474407694/original |
language |
English |
format |
eBook |
author |
Deamer, David, Deamer, David, |
spellingShingle |
Deamer, David, Deamer, David, Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index |
author_facet |
Deamer, David, Deamer, David, |
author_variant |
d d dd d d dd |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Deamer, David, |
title |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / |
title_sub |
Three Introductions to the Taxonomy of Images / |
title_full |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer. |
title_fullStr |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer. |
title_full_unstemmed |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / David Deamer. |
title_auth |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / |
title_alt |
Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index |
title_new |
Deleuze's Cinema Books : |
title_sort |
deleuze's cinema books : three introductions to the taxonomy of images / |
publisher |
Edinburgh University Press, |
publishDate |
2022 |
physical |
1 online resource (400 p.) : 40 B/W illustrations 1 colour illustrations Issued also in print. |
contents |
Frontmatter -- Contents -- Figures and frames -- Acknowledgements -- Abbreviations -- Preface: a Deleuzian cineosis -- Part One Unfolding the Cineosis -- Section I First Introduction Two Regimes of Images -- Movement-images and time-images: Bergson, image and duration -- Movement-images: Peirce, semiosis -- Time-images: Deleuze, syntheses -- Time-images and movement-images: Bergson, duration and image -- Section II Second Introduction A Series of Images and Signs -- Perception-images -- Affection-images -- Impulse-images (the nascent action-image) -- Action-images (small form, action → situation) -- Action-images (large form, situation → action) -- Attraction-images (first reflection-image; sixth mental-image) -- Inversion-images (second reflection-image; fifth mental-image) -- Discourse-images (third reflection-image; fourth mental-image) -- Dream-images (third mental-image) -- Recollection-images (second mental-image) -- Relation-images (first mental-image) -- Opsigns and sonsigns -- Hyalosigns -- Chronosigns -- Noosigns -- Lectosigns -- Afterword to Part One: the unfolded cineosis -- Section III Third Introduction Cinematographics (1995-2015) -- Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- Timecode Liquid perception -- Naqoyqatsi Gaseous perception -- Theeviravaathi/The Terrorist Icon -- Despicable Me, Despicable Me 2 and Minions -- Le quattro volte/Four Times Any-space-whatever -- The Human Centipede (First Sequence).Symptom -- Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- Innocence Originary World -- Madeo/Mother Index of lack -- The Killer Inside Me Index of equivocity -- Ajami Vector -- marxism today (prologue) and untitled Milieu -- Made in Dagenham Binomial -- Slackistan Figure of enfeeblement -- Un homme qui crie/A Screaming Man Quotidian -- Monsters Limit of the large form action-image -- Brooklyn's Finest Limit of the small form action-image -- Metro Manila Limit of the action-image -- Star Trek - First Contact Rich dreams -- The Machinist Restrained dreams -- Inception Movement of world -- El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- White Material Weak destiny -- Triangle Forking paths -- Se7en Mark -- Doctor Who - The Day of the Doctor Demark -- Buried Symbol -- Five Opsigns and sonsigns -- Black Swan Mirrors face to face -- Self Made Limpid and opaque -- Synecdoche, New York Seed and environment -- Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- Russkiy kovcheg/Russian Ark Sheets of the past -- Er shi si cheng ji/24 City Powers of the false -- I'm Not There Bodies of attitude -- Politist, adjectiv/Police, AdjectiveBodies of gest -- Dogville Cinema of the brain -- Enter the Void Lectosigns -- Select bibliography -- Filmography -- Index |
isbn |
9781474407694 9783110780444 9781474407670 |
url |
https://doi.org/10.1515/9781474407694 https://www.degruyter.com/isbn/9781474407694 https://www.degruyter.com/document/cover/isbn/9781474407694/original |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.4301 |
dewey-sort |
3791.4301 |
dewey-raw |
791.4301 |
dewey-search |
791.4301 |
doi_str_mv |
10.1515/9781474407694 |
work_keys_str_mv |
AT deamerdavid deleuzescinemabooksthreeintroductionstothetaxonomyofimages |
status_str |
n |
ids_txt_mv |
(DE-B1597)614192 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
is_hierarchy_title |
Deleuze's Cinema Books : Three Introductions to the Taxonomy of Images / |
container_title |
Title is part of eBook package: De Gruyter Edinburgh University Press Complete eBook-Package 2016 |
_version_ |
1806143790524661760 |
fullrecord |
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sixth mental-image) -- </subfield><subfield code="t">Inversion-images (second reflection-image; fifth mental-image) -- </subfield><subfield code="t">Discourse-images (third reflection-image; fourth mental-image) -- </subfield><subfield code="t">Dream-images (third mental-image) -- </subfield><subfield code="t">Recollection-images (second mental-image) -- </subfield><subfield code="t">Relation-images (first mental-image) -- </subfield><subfield code="t">Opsigns and sonsigns -- </subfield><subfield code="t">Hyalosigns -- </subfield><subfield code="t">Chronosigns -- </subfield><subfield code="t">Noosigns -- </subfield><subfield code="t">Lectosigns -- </subfield><subfield code="t">Afterword to Part One: the unfolded cineosis -- </subfield><subfield code="t">Section III Third Introduction Cinematographics (1995-2015) -- </subfield><subfield code="t">Le scaphandre et la papillon/ The Diving Bell and the Butterfly Solid perception -- </subfield><subfield code="t">Timecode Liquid perception -- </subfield><subfield code="t">Naqoyqatsi Gaseous perception -- </subfield><subfield code="t">Theeviravaathi/The Terrorist Icon -- </subfield><subfield code="t">Despicable Me, Despicable Me 2 and Minions -- </subfield><subfield code="t">Le quattro volte/Four Times Any-space-whatever -- </subfield><subfield code="t">The Human Centipede (First Sequence).Symptom -- </subfield><subfield code="t">Harry Potter and the Deathly Hallows: Part 1 and Harry Potter and the Deathly Hallows: Part 2 -- </subfield><subfield code="t">Innocence Originary World -- </subfield><subfield code="t">Madeo/Mother Index of lack -- </subfield><subfield code="t">The Killer Inside Me Index of equivocity -- </subfield><subfield code="t">Ajami Vector -- </subfield><subfield code="t">marxism today (prologue) and untitled Milieu -- </subfield><subfield code="t">Made in Dagenham Binomial -- </subfield><subfield code="t">Slackistan Figure of enfeeblement -- </subfield><subfield code="t">Un homme qui crie/A Screaming Man Quotidian -- </subfield><subfield code="t">Monsters Limit of the large form action-image -- </subfield><subfield code="t">Brooklyn's Finest Limit of the small form action-image -- </subfield><subfield code="t">Metro Manila Limit of the action-image -- </subfield><subfield code="t">Star Trek - First Contact Rich dreams -- </subfield><subfield code="t">The Machinist Restrained dreams -- </subfield><subfield code="t">Inception Movement of world -- </subfield><subfield code="t">El secreto de sus ojos/The Secret in Their Eyes Strong destiny -- </subfield><subfield code="t">White Material Weak destiny -- </subfield><subfield code="t">Triangle Forking paths -- </subfield><subfield code="t">Se7en Mark -- </subfield><subfield code="t">Doctor Who - The Day of the Doctor Demark -- </subfield><subfield code="t">Buried Symbol -- </subfield><subfield code="t">Five Opsigns and sonsigns -- </subfield><subfield code="t">Black Swan Mirrors face to face -- </subfield><subfield code="t">Self Made Limpid and opaque -- </subfield><subfield code="t">Synecdoche, New York Seed and environment -- </subfield><subfield code="t">Loong Boonmee raleuk chat/Uncle Boonmee Who Can Recall His Past Lives Peaks of the present -- </subfield><subfield code="t">Russkiy kovcheg/Russian Ark Sheets of the past -- </subfield><subfield code="t">Er shi si cheng ji/24 City Powers of the false -- </subfield><subfield code="t">I'm Not There Bodies of attitude -- </subfield><subfield code="t">Politist, adjectiv/Police, AdjectiveBodies of gest -- </subfield><subfield code="t">Dogville Cinema of the brain -- </subfield><subfield code="t">Enter the Void Lectosigns -- </subfield><subfield code="t">Select bibliography -- </subfield><subfield code="t">Filmography -- </subfield><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores all the concepts in Deleuze's Cinema books, using contemporary film readings as illustrative examples for each conceptDeleuze's two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze's writing procedures mean his exegesis is both complex and elusive. Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film?David Deamer's book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze's classifications, exploring every concept and reading a film for each. Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, Deamer also opens up new areas of enquiry for expert readers.Key FeaturesAn interpretation of Bergson's Matter and Memory through Deleuze's Bergsonism describing the ground of Deleuze's film-philosophyA reading of Peirce's semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-imageAn examination of Deleuze's syntheses of time, space and consciousness from Difference and Repetition illuminating the genesis and components of the time-imageConcise engagements with each of the cinematic signs to assist reading Deleuze's Cinema books, as well as commentaries and monographs that draw upon them44 film readings - one for each cinematic sign - to clarify their application</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">Title is part of eBook package:</subfield><subfield code="d">De Gruyter</subfield><subfield code="t">Edinburgh University Press Complete eBook-Package 2016</subfield><subfield code="z">9783110780444</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781474407670</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474407694</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781474407694</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/document/cover/isbn/9781474407694/original</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">978-3-11-078044-4 Edinburgh University Press Complete eBook-Package 2016</subfield><subfield code="b">2016</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |