Guy Maddin's My Winnipeg / / Darren Wershler.
Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing e...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2010 |
Year of Publication: | 2018 |
Language: | English |
Series: | Canadian Cinema
|
Online Access: | |
Physical Description: | 1 online resource (144 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
id |
9781442694057 |
---|---|
ctrlnum |
(DE-B1597)483136 (OCoLC)1078918486 |
collection |
bib_alma |
record_format |
marc |
spelling |
Wershler, Darren , author. aut http://id.loc.gov/vocabulary/relators/aut Guy Maddin's My Winnipeg / Darren Wershler. Toronto : University of Toronto Press, [2018] ©2010 1 online resource (144 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Canadian Cinema Frontmatter -- Contents -- 1. Breaking and Entering: An Introduction -- 2. Transfusions: Biography and Filmography -- 3. The Peculiar Enchantments of Winnipeg: The Commission -- 4. A Glorious Dress-up Chest: Genre -- 5. More Ellipses: The City and Circulation -- 6. The Forks beneath the Forks: Desire and Drive -- 7. Goat-Glanding and Other Delights: Narration and Sound -- 8. Viscous and Cottony Hallucinations: Memory and Haunted Media -- 9. Beautifully Broken: Conclusions -- Production Credits -- Further Viewing -- Notes -- Bibliography restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) DISCOUNT-B. PERFORMING ARTS / Film & Video / History & Criticism. bisacsh print 9781442611344 https://doi.org/10.3138/9781442694057 https://www.degruyter.com/isbn/9781442694057 Cover https://www.degruyter.com/cover/covers/9781442694057.jpg |
language |
English |
format |
eBook |
author |
Wershler, Darren , Wershler, Darren , |
spellingShingle |
Wershler, Darren , Wershler, Darren , Guy Maddin's My Winnipeg / Canadian Cinema Frontmatter -- Contents -- 1. Breaking and Entering: An Introduction -- 2. Transfusions: Biography and Filmography -- 3. The Peculiar Enchantments of Winnipeg: The Commission -- 4. A Glorious Dress-up Chest: Genre -- 5. More Ellipses: The City and Circulation -- 6. The Forks beneath the Forks: Desire and Drive -- 7. Goat-Glanding and Other Delights: Narration and Sound -- 8. Viscous and Cottony Hallucinations: Memory and Haunted Media -- 9. Beautifully Broken: Conclusions -- Production Credits -- Further Viewing -- Notes -- Bibliography |
author_facet |
Wershler, Darren , Wershler, Darren , |
author_variant |
d w dw d w dw |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Wershler, Darren , |
title |
Guy Maddin's My Winnipeg / |
title_full |
Guy Maddin's My Winnipeg / Darren Wershler. |
title_fullStr |
Guy Maddin's My Winnipeg / Darren Wershler. |
title_full_unstemmed |
Guy Maddin's My Winnipeg / Darren Wershler. |
title_auth |
Guy Maddin's My Winnipeg / |
title_alt |
Frontmatter -- Contents -- 1. Breaking and Entering: An Introduction -- 2. Transfusions: Biography and Filmography -- 3. The Peculiar Enchantments of Winnipeg: The Commission -- 4. A Glorious Dress-up Chest: Genre -- 5. More Ellipses: The City and Circulation -- 6. The Forks beneath the Forks: Desire and Drive -- 7. Goat-Glanding and Other Delights: Narration and Sound -- 8. Viscous and Cottony Hallucinations: Memory and Haunted Media -- 9. Beautifully Broken: Conclusions -- Production Credits -- Further Viewing -- Notes -- Bibliography |
title_new |
Guy Maddin's My Winnipeg / |
title_sort |
guy maddin's my winnipeg / |
series |
Canadian Cinema |
series2 |
Canadian Cinema |
publisher |
University of Toronto Press, |
publishDate |
2018 |
physical |
1 online resource (144 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- 1. Breaking and Entering: An Introduction -- 2. Transfusions: Biography and Filmography -- 3. The Peculiar Enchantments of Winnipeg: The Commission -- 4. A Glorious Dress-up Chest: Genre -- 5. More Ellipses: The City and Circulation -- 6. The Forks beneath the Forks: Desire and Drive -- 7. Goat-Glanding and Other Delights: Narration and Sound -- 8. Viscous and Cottony Hallucinations: Memory and Haunted Media -- 9. Beautifully Broken: Conclusions -- Production Credits -- Further Viewing -- Notes -- Bibliography |
isbn |
9781442694057 9781442611344 |
callnumber-first |
P - Language and Literature |
callnumber-subject |
PN - General Literature |
callnumber-label |
PN1997 |
callnumber-sort |
PN 41997.2 M92 W477 42010 |
url |
https://doi.org/10.3138/9781442694057 https://www.degruyter.com/isbn/9781442694057 https://www.degruyter.com/cover/covers/9781442694057.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.430233092 |
dewey-sort |
3791.430233092 |
dewey-raw |
791.430233092 |
dewey-search |
791.430233092 |
doi_str_mv |
10.3138/9781442694057 |
oclc_num |
1078918486 |
work_keys_str_mv |
AT wershlerdarren guymaddinsmywinnipeg |
status_str |
n |
ids_txt_mv |
(DE-B1597)483136 (OCoLC)1078918486 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Guy Maddin's My Winnipeg / |
_version_ |
1770176833713602560 |
fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03841nam a22006855i 4500</leader><controlfield tag="001">9781442694057</controlfield><controlfield tag="003">DE-B1597</controlfield><controlfield tag="005">20210824034702.0</controlfield><controlfield tag="006">m|||||o||d||||||||</controlfield><controlfield tag="007">cr || ||||||||</controlfield><controlfield tag="008">210824t20182010onc fo d z eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781442694057</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.3138/9781442694057</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)483136</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1078918486</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-B1597</subfield><subfield code="b">eng</subfield><subfield code="c">DE-B1597</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">onc</subfield><subfield code="c">CA-ON</subfield></datafield><datafield tag="050" ind1=" " ind2="4"><subfield code="a">PN1997.2.M92</subfield><subfield code="b">.W477 2010</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">PER004030</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">791.430233092</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Wershler, Darren , </subfield><subfield code="e">author.</subfield><subfield code="4">aut</subfield><subfield code="4">http://id.loc.gov/vocabulary/relators/aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Guy Maddin's My Winnipeg /</subfield><subfield code="c">Darren Wershler.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Toronto : </subfield><subfield code="b">University of Toronto Press, </subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (144 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">computer</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">online resource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="347" ind1=" " ind2=" "><subfield code="a">text file</subfield><subfield code="b">PDF</subfield><subfield code="2">rda</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Canadian Cinema</subfield></datafield><datafield tag="505" ind1="0" ind2="0"><subfield code="t">Frontmatter -- </subfield><subfield code="t">Contents -- </subfield><subfield code="t">1. Breaking and Entering: An Introduction -- </subfield><subfield code="t">2. Transfusions: Biography and Filmography -- </subfield><subfield code="t">3. The Peculiar Enchantments of Winnipeg: The Commission -- </subfield><subfield code="t">4. A Glorious Dress-up Chest: Genre -- </subfield><subfield code="t">5. More Ellipses: The City and Circulation -- </subfield><subfield code="t">6. The Forks beneath the Forks: Desire and Drive -- </subfield><subfield code="t">7. Goat-Glanding and Other Delights: Narration and Sound -- </subfield><subfield code="t">8. Viscous and Cottony Hallucinations: Memory and Haunted Media -- </subfield><subfield code="t">9. Beautifully Broken: Conclusions -- </subfield><subfield code="t">Production Credits -- </subfield><subfield code="t">Further Viewing -- </subfield><subfield code="t">Notes -- </subfield><subfield code="t">Bibliography</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">restricted access</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Guy Maddin is Canada's most iconoclastic filmmaker. Through his reinvention of half-forgotten film genres, his remobilization of abandoned techniques from the early history of cinema, and his unique editing style, Maddin has created a critically successful body of work that looks like nothing else in Canadian film. My Winnipeg (2008), which Roger Ebert called one of the ten best films of the first decade of the twenty-first century, has consolidated Maddin's international reputation.In this sixth volume of the Canadian Cinema series, Darren Wershler argues that Maddin's use of techniques and media that fall outside of the normal repertoire of contemporary cinema require us to re-examine what we think we know about the documentary genre and even 'film' itself. Through an exploration of My Winnipeg's major thematic concerns - memory, the cultural archive, and how people and objects circulate through the space of the city - Wershler contends that the result is a film that is psychologically and affectively true without being historically accurate.</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Issued also in print.</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English.</subfield></datafield><datafield tag="588" ind1="0" ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DISCOUNT-B.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism.</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="776" ind1="0" ind2=" "><subfield code="c">print</subfield><subfield code="z">9781442611344</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.3138/9781442694057</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9781442694057</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="3">Cover</subfield><subfield code="u">https://www.degruyter.com/cover/covers/9781442694057.jpg</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_CL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ECL_MUAR</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA_STMALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA11SSHE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA12STME</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA13ENGE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA17SSHEE</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">PDA5EBK</subfield></datafield></record></collection> |