Deep Red / / Alexia Kannas.

The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not...

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Superior document:Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017
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Place / Publishing House:New York, NY : : Columbia University Press, , [2018]
©2017
Year of Publication:2018
Language:English
Series:Cultographies
Online Access:
Physical Description:1 online resource :; 12 b&w illustrations
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Description
Other title:Frontmatter --
CONTENTS --
Acknowledgements --
Introduction: Falling for Deep Red --
1 Production, Promotion, Initial Reception --
2 The Cultification of Deep Red --
3 Reading Deep Red --
4 Intermittent Transcendence: The Place of Deep Red --
Notes --
Bibliography --
Index
Summary:The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not replicated by English-speaking audiences on its theatrical release. With its loosely woven narrative and hyper-stylized violent set pieces, Deep Red was critically panned in the United States and the UK as clichéd and exploitative Euro-schlock. Tracing the film's history of censorship, re-edited releases, and its subsequent celebration by cult film audiences, this book considers how these competing discourses have helped to transform the film's cultural status and to fashion it as an exemplar of cult cinema.
Format:Mode of access: Internet via World Wide Web.
ISBN:9780231851060
9783110543308
9783110603088
9783110603972
9783110604252
9783110603255
DOI:10.7312/kann18121
Access:restricted access
Hierarchical level:Monograph
Statement of Responsibility: Alexia Kannas.