Deep Red / / Alexia Kannas.
The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not...
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Superior document: | Title is part of eBook package: De Gruyter Columbia University Press Complete eBook-Package 2017 |
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Place / Publishing House: | New York, NY : : Columbia University Press, , [2018] ©2017 |
Year of Publication: | 2018 |
Language: | English |
Series: | Cultographies
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Online Access: | |
Physical Description: | 1 online resource :; 12 b&w illustrations |
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Other title: | Frontmatter -- CONTENTS -- Acknowledgements -- Introduction: Falling for Deep Red -- 1 Production, Promotion, Initial Reception -- 2 The Cultification of Deep Red -- 3 Reading Deep Red -- 4 Intermittent Transcendence: The Place of Deep Red -- Notes -- Bibliography -- Index |
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Summary: | The release of Italian director Dario Argento's Deep Red in 1975 saw both a return to form for the director and the crystallization of tropes of the giallo genre. While the film's immense popularity in Italy spawned a wave of copy-cat formula thrillers, this enthusiastic reception was not replicated by English-speaking audiences on its theatrical release. With its loosely woven narrative and hyper-stylized violent set pieces, Deep Red was critically panned in the United States and the UK as clichéd and exploitative Euro-schlock. Tracing the film's history of censorship, re-edited releases, and its subsequent celebration by cult film audiences, this book considers how these competing discourses have helped to transform the film's cultural status and to fashion it as an exemplar of cult cinema. |
Format: | Mode of access: Internet via World Wide Web. |
ISBN: | 9780231851060 9783110543308 9783110603088 9783110603972 9783110604252 9783110603255 |
DOI: | 10.7312/kann18121 |
Access: | restricted access |
Hierarchical level: | Monograph |
Statement of Responsibility: | Alexia Kannas. |