National Performance : : Representing Quebec from Expo 67 to Celine Dion / / Erin Hurley.
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...
Saved in:
VerfasserIn: | |
---|---|
Place / Publishing House: | Toronto : : University of Toronto Press, , [2018] ©2010 |
Year of Publication: | 2018 |
Language: | English |
Series: | Cultural Spaces
|
Online Access: | |
Physical Description: | 1 online resource (264 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- 1. Introduction
- 2. Marginals, Metaphors, and Mimesis
- 3. National Construction: Quebec's Modernity at Expo 67
- 4. National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois
- 5. National Simulation: Marco Micone's culture immigrée
- 6. National Metonymy: Arresting Images in the Devised Works of Carbone 14
- 7. National Affection: Céline Dion
- 8. Conclusion: Feminist (Re)production
- Notes
- References
- Index