National Performance : : Representing Quebec from Expo 67 to Celine Dion / / Erin Hurley.

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ne...

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Place / Publishing House:Toronto : : University of Toronto Press, , [2018]
©2010
Year of Publication:2018
Language:English
Series:Cultural Spaces
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Physical Description:1 online resource (264 p.)
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id 9781442686342
ctrlnum (DE-B1597)483224
(OCoLC)1078912360
collection bib_alma
record_format marc
spelling Hurley, Erin, author. aut http://id.loc.gov/vocabulary/relators/aut
National Performance : Representing Quebec from Expo 67 to Celine Dion / Erin Hurley.
Toronto : University of Toronto Press, [2018]
©2010
1 online resource (264 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Cultural Spaces
Frontmatter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Marginals, Metaphors, and Mimesis -- 3. National Construction: Quebec's Modernity at Expo 67 -- 4. National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois -- 5. National Simulation: Marco Micone's culture immigrée -- 6. National Metonymy: Arresting Images in the Devised Works of Carbone 14 -- 7. National Affection: Céline Dion -- 8. Conclusion: Feminist (Re)production -- Notes -- References -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances.Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
DISCOUNT-B.
PERFORMING ARTS / Theater / History & Criticism. bisacsh
print 9781487521332
https://doi.org/10.3138/9781442686342
https://www.degruyter.com/isbn/9781442686342
Cover https://www.degruyter.com/cover/covers/9781442686342.jpg
language English
format eBook
author Hurley, Erin,
Hurley, Erin,
spellingShingle Hurley, Erin,
Hurley, Erin,
National Performance : Representing Quebec from Expo 67 to Celine Dion /
Cultural Spaces
Frontmatter --
Contents --
Acknowledgments --
1. Introduction --
2. Marginals, Metaphors, and Mimesis --
3. National Construction: Quebec's Modernity at Expo 67 --
4. National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois --
5. National Simulation: Marco Micone's culture immigrée --
6. National Metonymy: Arresting Images in the Devised Works of Carbone 14 --
7. National Affection: Céline Dion --
8. Conclusion: Feminist (Re)production --
Notes --
References --
Index
author_facet Hurley, Erin,
Hurley, Erin,
author_variant e h eh
e h eh
author_role VerfasserIn
VerfasserIn
author_sort Hurley, Erin,
title National Performance : Representing Quebec from Expo 67 to Celine Dion /
title_sub Representing Quebec from Expo 67 to Celine Dion /
title_full National Performance : Representing Quebec from Expo 67 to Celine Dion / Erin Hurley.
title_fullStr National Performance : Representing Quebec from Expo 67 to Celine Dion / Erin Hurley.
title_full_unstemmed National Performance : Representing Quebec from Expo 67 to Celine Dion / Erin Hurley.
title_auth National Performance : Representing Quebec from Expo 67 to Celine Dion /
title_alt Frontmatter --
Contents --
Acknowledgments --
1. Introduction --
2. Marginals, Metaphors, and Mimesis --
3. National Construction: Quebec's Modernity at Expo 67 --
4. National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois --
5. National Simulation: Marco Micone's culture immigrée --
6. National Metonymy: Arresting Images in the Devised Works of Carbone 14 --
7. National Affection: Céline Dion --
8. Conclusion: Feminist (Re)production --
Notes --
References --
Index
title_new National Performance :
title_sort national performance : representing quebec from expo 67 to celine dion /
series Cultural Spaces
series2 Cultural Spaces
publisher University of Toronto Press,
publishDate 2018
physical 1 online resource (264 p.)
Issued also in print.
contents Frontmatter --
Contents --
Acknowledgments --
1. Introduction --
2. Marginals, Metaphors, and Mimesis --
3. National Construction: Quebec's Modernity at Expo 67 --
4. National Reflection: Michel Tremblay's Les belles-soeurs and le nouveau théâtre québécois --
5. National Simulation: Marco Micone's culture immigrée --
6. National Metonymy: Arresting Images in the Devised Works of Carbone 14 --
7. National Affection: Céline Dion --
8. Conclusion: Feminist (Re)production --
Notes --
References --
Index
isbn 9781442686342
9781487521332
url https://doi.org/10.3138/9781442686342
https://www.degruyter.com/isbn/9781442686342
https://www.degruyter.com/cover/covers/9781442686342.jpg
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 790 - Sports, games & entertainment
dewey-ones 792 - Stage presentations
dewey-full 792.09714
dewey-sort 3792.09714
dewey-raw 792.09714
dewey-search 792.09714
doi_str_mv 10.3138/9781442686342
oclc_num 1078912360
work_keys_str_mv AT hurleyerin nationalperformancerepresentingquebecfromexpo67tocelinedion
status_str n
ids_txt_mv (DE-B1597)483224
(OCoLC)1078912360
carrierType_str_mv cr
is_hierarchy_title National Performance : Representing Quebec from Expo 67 to Celine Dion /
_version_ 1770176833950580737
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