Fluid Screens, Expanded Cinema /

Fluid Screens, Expanded Cinema / / ed. by Janine Marchessault, Susan Lord.

As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
MitwirkendeR:
Burnett, Ron,
Child, Abigail,
Crocker, Stephen,
Cubitt, Sean,
De Peuter, Greig,
Dyer-Witheford, Nick,
Fisher, Caitlin,
Lord, Susan,
Marchessault, Janine,
Marks, Laura U.,
Mccullough, John,
Oppenheimer, Joshua,
Petty, Sheila,
Robertson, Kirsty,
Uwemedimo, Michael,
Walcott, Rinaldo,
Wasson, Haidee,
Willmott, Glenn,
Youngblood, Gene,
HerausgeberIn:
Lord, Susan,
Marchessault, Janine,
Place / Publishing House:Toronto : : University of Toronto Press, , [2019]
©2007
Year of Publication:2019
Language:English
Series:Digital Futures
Online Access:
Physical Description:1 online resource (368 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Introduction
  • PART I. EXPANDING CINEMA - IMMERSION
  • 1. Multi-Screens and Future Cinema: The Labyrinth Project at Expo 67
  • 2. Sounds Complicated: What Sixties Audio Experiments Can Teach Us about the New Media Environments
  • 3. The Networked Screen: Moving Images, Materiality, and the Aesthetics of Size
  • 4. The 'Iterative Circle': Transformation of Web Narrative in Amika
  • 5. Handcrank That Globalism: A Digi-Dialogue
  • 6. From Photography to Imography: New Media as Metaphor
  • PART II. DIGITAL TIME - ARCHIVE
  • 7. Feminist Digital Aesthetics: The Everyday and Yesterday
  • 8. The Sight of Sound: The Last Angel of History
  • 9. History and Histrionics: Vision Machine's Digital Poetics
  • 10. From Sequence to Stream: Historiography and Media Art
  • 11. The Birth of Tragedy in Digital Aesthetics
  • PART III. LIQUID SPACE - MOBILITY
  • 12. Armed Vision and the Banalization of War: Full Spectrum Warrior
  • 13. The Dialectics of Canadian Film Labour: Technology, Globalization, Nation
  • 14. Screening the Call: Cell Phones, Activism, and the Art of Connection
  • 15. Immigrant Semiosis
  • 16. Precepts for Digital Artwork
  • Afterword: What We Must Do
  • Bibliography
  • Contributors
  • Index

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