Fluid Screens, Expanded Cinema / / ed. by Janine Marchessault, Susan Lord.
As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©2007 |
Year of Publication: | 2019 |
Language: | English |
Series: | Digital Futures
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Online Access: | |
Physical Description: | 1 online resource (368 p.) |
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LEADER | 07075nam a22009855i 4500 | ||
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001 | 9781442684355 | ||
003 | DE-B1597 | ||
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020 | |a 9781442684355 | ||
024 | 7 | |a 10.3138/9781442684355 |2 doi | |
035 | |a (DE-B1597)528831 | ||
035 | |a (OCoLC)1114790404 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a onc |c CA-ON | ||
050 | 4 | |a PN1994 |b .F52 2007 | |
072 | 7 | |a PER004030 |2 bisacsh | |
082 | 0 | 4 | |a 791.4 |2 22 |
245 | 0 | 0 | |a Fluid Screens, Expanded Cinema / |c ed. by Janine Marchessault, Susan Lord. |
264 | 1 | |a Toronto : |b University of Toronto Press, |c [2019] | |
264 | 4 | |c ©2007 | |
300 | |a 1 online resource (368 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
490 | 0 | |a Digital Futures | |
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Acknowledgments -- |t Introduction -- |t PART I. EXPANDING CINEMA - IMMERSION -- |t 1. Multi-Screens and Future Cinema: The Labyrinth Project at Expo 67 -- |t 2. Sounds Complicated: What Sixties Audio Experiments Can Teach Us about the New Media Environments -- |t 3. The Networked Screen: Moving Images, Materiality, and the Aesthetics of Size -- |t 4. The 'Iterative Circle': Transformation of Web Narrative in Amika -- |t 5. Handcrank That Globalism: A Digi-Dialogue -- |t 6. From Photography to Imography: New Media as Metaphor -- |t PART II. DIGITAL TIME - ARCHIVE -- |t 7. Feminist Digital Aesthetics: The Everyday and Yesterday -- |t 8. The Sight of Sound: The Last Angel of History -- |t 9. History and Histrionics: Vision Machine's Digital Poetics -- |t 10. From Sequence to Stream: Historiography and Media Art -- |t 11. The Birth of Tragedy in Digital Aesthetics -- |t PART III. LIQUID SPACE - MOBILITY -- |t 12. Armed Vision and the Banalization of War: Full Spectrum Warrior -- |t 13. The Dialectics of Canadian Film Labour: Technology, Globalization, Nation -- |t 14. Screening the Call: Cell Phones, Activism, and the Art of Connection -- |t 15. Immigrant Semiosis -- |t 16. Precepts for Digital Artwork -- |t Afterword: What We Must Do -- |t Bibliography -- |t Contributors -- |t Index |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a As a medium, film is constantly evolving both in form and in content. Fluid Screens, Expanded Cinema considers the shift from traditional cinema to new frontiers of interactive, performative, and networked media.Using the theories of Marshall McLuhan and Gilles Deleuze as a starting point, renowned scholars from the fields of film theory, communication studies, cultural studies, and new media theory explore the ways in which digital technology is transforming contemporary visual culture. The essays consider a series of questions: What constitutes the "new" in new media? How are digital aesthetics different from film aesthetics? What new forms of spectatorship and storytelling, political community, and commodity production are being enabled through the digital media?Using Gene Youngblood's 1970 book Expanded Cinema as an anchor for the volume, Fluid Screens, Expanded Cinema understands the digital not simply as a technological form, but also as an experience of space and time that is tied to capitalism. This important collection is unique in framing a range of social justice issues with aesthetic theories of new digital screen culture that will appeal to scholars and multimedia artists prepared to break new ground. | ||
530 | |a Issued also in print. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
650 | 0 | |a Digital media. | |
650 | 0 | |a Interactive multimedia. | |
650 | 0 | |a Motion pictures. | |
650 | 0 | |a Technology and the arts. | |
650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism. |2 bisacsh | |
700 | 1 | |a Burnett, Ron, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Child, Abigail, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Crocker, Stephen, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Cubitt, Sean, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a De Peuter, Greig, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Dyer-Witheford, Nick, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Fisher, Caitlin, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Lord, Susan, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Lord, Susan, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Marchessault, Janine, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Marchessault, Janine, |e editor. |4 edt |4 http://id.loc.gov/vocabulary/relators/edt | |
700 | 1 | |a Marks, Laura U., |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Mccullough, John, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Oppenheimer, Joshua, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Petty, Sheila, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Robertson, Kirsty, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Uwemedimo, Michael, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Walcott, Rinaldo, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Wasson, Haidee, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Willmott, Glenn, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Youngblood, Gene, |e contributor. |4 ctb |4 https://id.loc.gov/vocabulary/relators/ctb | |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t University of Toronto Press eBook-Package Backlist 2000-2013 |z 9783110490954 |
776 | 0 | |c print |z 9780802096449 | |
856 | 4 | 0 | |u https://doi.org/10.3138/9781442684355 |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781442684355 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/cover/covers/9781442684355.jpg |
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