Char Davies's Immersive Virtual Art and the Essence of Spatiality / / Laurie McRobert.
In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies? artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to creat...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2007 |
Year of Publication: | 2016 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (290 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Illustrations
- Acknowledgments
- Abbreviations
- Introduction
- 1. The Dynamics of Immersive Virtual Art
- 2. Digital Knowing versus Digital Being
- 3. Heidegger, Davies, and Technological Essence
- 4. Substantial Essence
- 5. On Up/Down Paradigms and the 'Essence of Spatiality'
- 6. The Essence of Cyberspace and Immersive Virtual Spatiality
- 7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality
- 8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art
- Epilogue
- Appendix
- Notes
- Index