Char Davies's Immersive Virtual Art and the Essence of Spatiality / / Laurie McRobert.

In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies? artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to creat...

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Bibliographic Details
Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
VerfasserIn:
Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2007
Year of Publication:2016
Language:English
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Physical Description:1 online resource (290 p.)
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Table of Contents:
  • Frontmatter
  • Contents
  • Illustrations
  • Acknowledgments
  • Abbreviations
  • Introduction
  • 1. The Dynamics of Immersive Virtual Art
  • 2. Digital Knowing versus Digital Being
  • 3. Heidegger, Davies, and Technological Essence
  • 4. Substantial Essence
  • 5. On Up/Down Paradigms and the 'Essence of Spatiality'
  • 6. The Essence of Cyberspace and Immersive Virtual Spatiality
  • 7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality
  • 8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art
  • Epilogue
  • Appendix
  • Notes
  • Index