Char Davies's Immersive Virtual Art and the Essence of Spatiality / / Laurie McRobert.

In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies? artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to creat...

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Superior document:Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
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Place / Publishing House:Toronto : : University of Toronto Press, , [2016]
©2007
Year of Publication:2016
Language:English
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Physical Description:1 online resource (290 p.)
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id 9781442684171
ctrlnum (DE-B1597)464060
(OCoLC)944177192
collection bib_alma
record_format marc
spelling McRobert, Laurie, author. aut http://id.loc.gov/vocabulary/relators/aut
Char Davies's Immersive Virtual Art and the Essence of Spatiality / Laurie McRobert.
Toronto : University of Toronto Press, [2016]
©2007
1 online resource (290 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction -- 1. The Dynamics of Immersive Virtual Art -- 2. Digital Knowing versus Digital Being -- 3. Heidegger, Davies, and Technological Essence -- 4. Substantial Essence -- 5. On Up/Down Paradigms and the 'Essence of Spatiality' -- 6. The Essence of Cyberspace and Immersive Virtual Spatiality -- 7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality -- 8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art -- Epilogue -- Appendix -- Notes -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
In this first book-length study of the internationally renowned Canadian artist Char Davies, Laurie McRobert examines the digital installations Osmose and Ephémère in the context of Davies? artistic and conceptual inspirations. Davies, originally a painter, turned to technology in an effort to create the effect of osmosis between self and world. By donning a head-mounted display unit and a body vest to monitor breathing and balance, participants are immersed in 3D-virtual space where they interact with abstract images of nature while manoeuvring in an artificial spatial environment.Char Davies? Immersive Virtual Art and the Essence of Spatiality explores spatiality through a broad scope of disciplines, including philosophy, mythology, biology, and visual studies, in order to familiarize the reader with virtual reality art ? how it differs from traditional artistic media and why immersive virtual art promises to expand our imaginative horizons. This original study provides us with an important exposition of two of Char Davies? acclaimed projects and an exploration of the future impact of digital virtual art on our worldviews.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
Art and technology.
Interactive art.
Virtual reality in art.
ART / Popular Culture. bisacsh
Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 9783110490954
print 9780802090942
https://doi.org/10.3138/9781442684171
https://www.degruyter.com/isbn/9781442684171
Cover https://www.degruyter.com/cover/covers/9781442684171.jpg
language English
format eBook
author McRobert, Laurie,
McRobert, Laurie,
spellingShingle McRobert, Laurie,
McRobert, Laurie,
Char Davies's Immersive Virtual Art and the Essence of Spatiality /
Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. The Dynamics of Immersive Virtual Art --
2. Digital Knowing versus Digital Being --
3. Heidegger, Davies, and Technological Essence --
4. Substantial Essence --
5. On Up/Down Paradigms and the 'Essence of Spatiality' --
6. The Essence of Cyberspace and Immersive Virtual Spatiality --
7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality --
8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art --
Epilogue --
Appendix --
Notes --
Index
author_facet McRobert, Laurie,
McRobert, Laurie,
author_variant l m lm
l m lm
author_role VerfasserIn
VerfasserIn
author_sort McRobert, Laurie,
title Char Davies's Immersive Virtual Art and the Essence of Spatiality /
title_full Char Davies's Immersive Virtual Art and the Essence of Spatiality / Laurie McRobert.
title_fullStr Char Davies's Immersive Virtual Art and the Essence of Spatiality / Laurie McRobert.
title_full_unstemmed Char Davies's Immersive Virtual Art and the Essence of Spatiality / Laurie McRobert.
title_auth Char Davies's Immersive Virtual Art and the Essence of Spatiality /
title_alt Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. The Dynamics of Immersive Virtual Art --
2. Digital Knowing versus Digital Being --
3. Heidegger, Davies, and Technological Essence --
4. Substantial Essence --
5. On Up/Down Paradigms and the 'Essence of Spatiality' --
6. The Essence of Cyberspace and Immersive Virtual Spatiality --
7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality --
8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art --
Epilogue --
Appendix --
Notes --
Index
title_new Char Davies's Immersive Virtual Art and the Essence of Spatiality /
title_sort char davies's immersive virtual art and the essence of spatiality /
publisher University of Toronto Press,
publishDate 2016
physical 1 online resource (290 p.)
Issued also in print.
contents Frontmatter --
Contents --
Illustrations --
Acknowledgments --
Abbreviations --
Introduction --
1. The Dynamics of Immersive Virtual Art --
2. Digital Knowing versus Digital Being --
3. Heidegger, Davies, and Technological Essence --
4. Substantial Essence --
5. On Up/Down Paradigms and the 'Essence of Spatiality' --
6. The Essence of Cyberspace and Immersive Virtual Spatiality --
7. Instincts and the Unconscious: Digital Transcendence and Essential Spatiality --
8. Speculative Inquiries into the Elements of Char Davies' Immersive Virtual Art --
Epilogue --
Appendix --
Notes --
Index
isbn 9781442684171
9783110490954
9780802090942
callnumber-first N - Fine Arts
callnumber-subject N - Visual Arts
callnumber-label N72
callnumber-sort N 272 T4
url https://doi.org/10.3138/9781442684171
https://www.degruyter.com/isbn/9781442684171
https://www.degruyter.com/cover/covers/9781442684171.jpg
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 701 - Philosophy of fine & decorative arts
dewey-full 701/.05
dewey-sort 3701 15
dewey-raw 701/.05
dewey-search 701/.05
doi_str_mv 10.3138/9781442684171
oclc_num 944177192
work_keys_str_mv AT mcrobertlaurie chardaviessimmersivevirtualartandtheessenceofspatiality
status_str n
ids_txt_mv (DE-B1597)464060
(OCoLC)944177192
carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
is_hierarchy_title Char Davies's Immersive Virtual Art and the Essence of Spatiality /
container_title Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
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