Vittorio De Sica : : Contemporary Perspectives / / ed. by Howard Curle, Stephen Snyder.
Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned,...
Saved in:
MitwirkendeR: | |
---|---|
HerausgeberIn: | |
Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©2000 |
Year of Publication: | 2019 |
Language: | English |
Series: | Toronto Italian Studies
|
Online Access: | |
Physical Description: | 1 online resource (304 p.) |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- A Note on Film Documentation and Photographs
- Introduction
- De Sica on De Sica
- Some Ideas on the Cinema
- De Sica: Metteur en Scene
- Umberto D. and Realism
- Beyond the Movement-Image
- Ideological Continuity and Cultural Coherence
- Remembrance of Things Past
- On a Train to the Kingdom of Earth: Watching De Sica's Children
- Shoeshine
- The Art of Shoeshine
- Holding Hands with a Bicycle Thief
- Bicycle Thieves: A Re-reading
- Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan
- Appendix: Reflections on Miracle in Milan
- Miracle in Milan: Some Psychoanalytic Notes on a Movie
- Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City
- Umberto D.: Vittorio De Sica's ,Super'-Naturalism
- The Subversive Potential of the Pseudo-Iterative
- A Home in the Ditch of Saint Agnes: De Sica's The Roof
- The Case of De Sica
- Hiding in the Light: De Sica's Work in the 19605
- In Love and War: Vittorio De Sica's Two Women
- De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost
- The Magic Mountain
- Filmography