Vittorio De Sica : : Contemporary Perspectives / / ed. by Howard Curle, Stephen Snyder.
Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned,...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2019] ©2000 |
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Vittorio De Sica : Contemporary Perspectives / ed. by Howard Curle, Stephen Snyder. Toronto : University of Toronto Press, [2019] ©2000 1 online resource (304 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Toronto Italian Studies Frontmatter -- Contents -- Acknowledgments -- A Note on Film Documentation and Photographs -- Introduction -- De Sica on De Sica -- Some Ideas on the Cinema -- De Sica: Metteur en Scene -- Umberto D. and Realism -- Beyond the Movement-Image -- Ideological Continuity and Cultural Coherence -- Remembrance of Things Past -- On a Train to the Kingdom of Earth: Watching De Sica's Children -- Shoeshine -- The Art of Shoeshine -- Holding Hands with a Bicycle Thief -- Bicycle Thieves: A Re-reading -- Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan -- Appendix: Reflections on Miracle in Milan -- Miracle in Milan: Some Psychoanalytic Notes on a Movie -- Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City -- Umberto D.: Vittorio De Sica's ,Super'-Naturalism -- The Subversive Potential of the Pseudo-Iterative -- A Home in the Ditch of Saint Agnes: De Sica's The Roof -- The Case of De Sica -- Hiding in the Light: De Sica's Work in the 19605 -- In Love and War: Vittorio De Sica's Two Women -- De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost -- The Magic Mountain -- Filmography restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned, some reprinted, and others in translation - look at De Sica's varied career from many perspecives.Structured chronologically, the volume begins by introducing readers to De Sica's early popularity as an actor and singer during the years of Italian Fascism, and to his initial directorial efforts before the end of World War II. It was not until the postwar era, however, that De Sica made his mark in film history. Special attention is given to this critical phase of his career, which encompasses the neorealist films that made him famous: "Shoeshine", "Bicycle Thieves", "Miracle in Milan", and "Umberto D."When the neorealist movement waned after 1955, De Sica returned to his roots in Neapolitan comedy for a series of commercially successful films starring Sophia Loren and Marcello Mastroianni. Memorable works from this period include "Two Women" and "Marriage Italian Style" as well as "Yesterday, Today, and Tomorrow", which won De Sica an Academy Award in 1965. In one of his final films, "The Garden of the Finzi Continis", he returned to the subject of World War II and to the human tragedy characteristic of his best neorealist productions. This fine anthology offers a comprehensive critical survey that covers the entire scope of De Sica's career, and is an excellent resource for students, critics and film enthusiasts. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) PERFORMING ARTS / Film & Video / History & Criticism. bisacsh Bazin, André, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Bondanella, Peter, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Cardullo, Bert, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Colin, Westerbeck, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Curle, Howard, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Curle, Howard, editor. edt http://id.loc.gov/vocabulary/relators/edt Deleuze, Gilles, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Grinstein, Alexander, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kael, Pauline, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Kinder, Marsha, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Landy, Marcia, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Marcus, Millicent, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb McIntyre, Faye, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb P.Tomasulo, Frank, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Perez, Gilberto, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Price, James, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Roy, Claude, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Snyder, Stephen, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Snyder, Stephen, editor. edt http://id.loc.gov/vocabulary/relators/edt Toles, George, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb V.Cannistraro, Philip, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Wegner, Hart, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb West, Mark, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Young, Vernon, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb Zavattini, Cesare, contributor. ctb https://id.loc.gov/vocabulary/relators/ctb print 9780802083814 https://doi.org/10.3138/9781442683136 https://www.degruyter.com/isbn/9781442683136 Cover https://www.degruyter.com/cover/covers/9781442683136.jpg |
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English |
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Bazin, André, Bazin, André, Bondanella, Peter, Bondanella, Peter, Cardullo, Bert, Cardullo, Bert, Colin, Westerbeck, Colin, Westerbeck, Curle, Howard, Curle, Howard, Curle, Howard, Curle, Howard, Deleuze, Gilles, Deleuze, Gilles, Grinstein, Alexander, Grinstein, Alexander, Kael, Pauline, Kael, Pauline, Kinder, Marsha, Kinder, Marsha, Landy, Marcia, Landy, Marcia, Marcus, Millicent, Marcus, Millicent, McIntyre, Faye, McIntyre, Faye, P.Tomasulo, Frank, P.Tomasulo, Frank, Perez, Gilberto, Perez, Gilberto, Price, James, Price, James, Roy, Claude, Roy, Claude, Snyder, Stephen, Snyder, Stephen, Snyder, Stephen, Snyder, Stephen, Toles, George, Toles, George, V.Cannistraro, Philip, V.Cannistraro, Philip, Wegner, Hart, Wegner, Hart, West, Mark, West, Mark, Young, Vernon, Young, Vernon, Zavattini, Cesare, Zavattini, Cesare, |
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author_sort |
Bazin, André, |
title |
Vittorio De Sica : Contemporary Perspectives / |
spellingShingle |
Vittorio De Sica : Contemporary Perspectives / Toronto Italian Studies Frontmatter -- Contents -- Acknowledgments -- A Note on Film Documentation and Photographs -- Introduction -- De Sica on De Sica -- Some Ideas on the Cinema -- De Sica: Metteur en Scene -- Umberto D. and Realism -- Beyond the Movement-Image -- Ideological Continuity and Cultural Coherence -- Remembrance of Things Past -- On a Train to the Kingdom of Earth: Watching De Sica's Children -- Shoeshine -- The Art of Shoeshine -- Holding Hands with a Bicycle Thief -- Bicycle Thieves: A Re-reading -- Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan -- Appendix: Reflections on Miracle in Milan -- Miracle in Milan: Some Psychoanalytic Notes on a Movie -- Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City -- Umberto D.: Vittorio De Sica's ,Super'-Naturalism -- The Subversive Potential of the Pseudo-Iterative -- A Home in the Ditch of Saint Agnes: De Sica's The Roof -- The Case of De Sica -- Hiding in the Light: De Sica's Work in the 19605 -- In Love and War: Vittorio De Sica's Two Women -- De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost -- The Magic Mountain -- Filmography |
title_sub |
Contemporary Perspectives / |
title_full |
Vittorio De Sica : Contemporary Perspectives / ed. by Howard Curle, Stephen Snyder. |
title_fullStr |
Vittorio De Sica : Contemporary Perspectives / ed. by Howard Curle, Stephen Snyder. |
title_full_unstemmed |
Vittorio De Sica : Contemporary Perspectives / ed. by Howard Curle, Stephen Snyder. |
title_auth |
Vittorio De Sica : Contemporary Perspectives / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- A Note on Film Documentation and Photographs -- Introduction -- De Sica on De Sica -- Some Ideas on the Cinema -- De Sica: Metteur en Scene -- Umberto D. and Realism -- Beyond the Movement-Image -- Ideological Continuity and Cultural Coherence -- Remembrance of Things Past -- On a Train to the Kingdom of Earth: Watching De Sica's Children -- Shoeshine -- The Art of Shoeshine -- Holding Hands with a Bicycle Thief -- Bicycle Thieves: A Re-reading -- Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan -- Appendix: Reflections on Miracle in Milan -- Miracle in Milan: Some Psychoanalytic Notes on a Movie -- Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City -- Umberto D.: Vittorio De Sica's ,Super'-Naturalism -- The Subversive Potential of the Pseudo-Iterative -- A Home in the Ditch of Saint Agnes: De Sica's The Roof -- The Case of De Sica -- Hiding in the Light: De Sica's Work in the 19605 -- In Love and War: Vittorio De Sica's Two Women -- De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost -- The Magic Mountain -- Filmography |
title_new |
Vittorio De Sica : |
title_sort |
vittorio de sica : contemporary perspectives / |
series |
Toronto Italian Studies |
series2 |
Toronto Italian Studies |
publisher |
University of Toronto Press, |
publishDate |
2019 |
physical |
1 online resource (304 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- Acknowledgments -- A Note on Film Documentation and Photographs -- Introduction -- De Sica on De Sica -- Some Ideas on the Cinema -- De Sica: Metteur en Scene -- Umberto D. and Realism -- Beyond the Movement-Image -- Ideological Continuity and Cultural Coherence -- Remembrance of Things Past -- On a Train to the Kingdom of Earth: Watching De Sica's Children -- Shoeshine -- The Art of Shoeshine -- Holding Hands with a Bicycle Thief -- Bicycle Thieves: A Re-reading -- Neorealist Aesthetics and the Fantastic: The Machine to Kill Bad People and Miracle in Milan -- Appendix: Reflections on Miracle in Milan -- Miracle in Milan: Some Psychoanalytic Notes on a Movie -- Pius Aeneas and Totò, il buono: The Founding Myth of the Divine City -- Umberto D.: Vittorio De Sica's ,Super'-Naturalism -- The Subversive Potential of the Pseudo-Iterative -- A Home in the Ditch of Saint Agnes: De Sica's The Roof -- The Case of De Sica -- Hiding in the Light: De Sica's Work in the 19605 -- In Love and War: Vittorio De Sica's Two Women -- De Sica's Garden of the Finzi-Continis: An Escapist Paradise Lost -- The Magic Mountain -- Filmography |
isbn |
9781442683136 9780802083814 |
url |
https://doi.org/10.3138/9781442683136 https://www.degruyter.com/isbn/9781442683136 https://www.degruyter.com/cover/covers/9781442683136.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
790 - Sports, games & entertainment |
dewey-ones |
791 - Public performances |
dewey-full |
791.43/0233/092 |
dewey-sort |
3791.43 3233 292 |
dewey-raw |
791.43/0233/092 |
dewey-search |
791.43/0233/092 |
doi_str_mv |
10.3138/9781442683136 |
oclc_num |
1083599318 |
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