Performance Degree Zero : : Roland Barthes and Theatre / / Timothy Scheie.
Throughout his career, famed critical theorist Roland Barthes (1915-1980) had a complex and often uneasy relationship with theatre and performance. From his early theatre criticism, through his abrupt and enigmatic silence on theatre, to the theoretical 'stagings' of his thought in the 197...
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Superior document: | Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2016] ©2006 |
Year of Publication: | 2016 |
Language: | English |
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Physical Description: | 1 online resource (256 p.) |
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Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Abbreviations and Note on Translations
- Introduction
- 1. Tragic Utopia: Barthes's Theatre Criticism, 1953-1960
- 2. Performance and Its Double: The 'Live' and the Structuralist Abstraction
- 3. Staging Theory: Theatricality and the Displacement of Desire
- 4. Mourning Presence: Performance at the Crossroads
- Notes
- Works Cited
- Index