Performance Degree Zero : : Roland Barthes and Theatre / / Timothy Scheie.

• Superior document: Title is part of eBook package: De Gruyter University of Toronto Press eBook-Package Backlist 2000-2013
• VerfasserIn: Scheie, Timothy,
• Place / Publishing House: Toronto : : University of Toronto Press, , [2016]; ©2006
• Year of Publication: 2016
• Language: English
• Physical Description: 1 online resource (256 p.)
• Other title: Frontmatter --; Contents --; Acknowledgments --; Abbreviations and Note on Translations --; Introduction --; 1. Tragic Utopia: Barthes's Theatre Criticism, 1953-1960 --; 2. Performance and Its Double: The 'Live' and the Structuralist Abstraction --; 3. Staging Theory: Theatricality and the Displacement of Desire --; 4. Mourning Presence: Performance at the Crossroads --; Notes --; Works Cited --; Index
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781442678354; 9783110490954
• DOI: 10.3138/9781442678354
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Timothy Scheie.

Throughout his career, famed critical theorist Roland Barthes (1915-1980) had a complex and often uneasy relationship with theatre and performance. From his early theatre criticism, through his abrupt and enigmatic silence on theatre, to the theoretical 'stagings' of his thought in the 1970s, Barthes committed several stunning reversals with his opinions on theatrical performance. In Performance Degree Zero, Timothy Scheie argues that Barthes's body of work must be considered a lifelong engagement with theatre. Exploring his changing critical methodologies, Scheie provides a new understanding of the rapid shifts in critical modes Barthes traverses, from a Sartrean Marxism in the 1950s, through semiology, to French post-structuralism and the mournful introspection of his later years. The theatrical figure illuminates Barthes's accounts of the sign, the text, the body, homosexuality, love, the voice, photography, and other important and contested terms of his thought.Performance Degree Zerooffers the first comprehensive account of Barthes's lifelong engagement with theatre and performance and fills a significant gap in Barthes criticism. It is essential reading for all Barthes scholars, theatre historians, and performance theorists.