Foreign Modernism : : Cosmopolitanism, Identity, and Style in Paris / / Ihor Junyk.
At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of S...
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| Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2013 |
| Year of Publication: | 2017 |
| Language: | English |
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| Physical Description: | 1 online resource (200 p.) |
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Table of Contents:
- Frontmatter
- Contents
- List of Illustrations
- Acknowledgments
- Introduction
- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement
- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization
- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade
- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky
- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937
- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France
- Notes
- Bibliography
- Index