Foreign Modernism : : Cosmopolitanism, Identity, and Style in Paris / / Ihor Junyk.

At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of S...

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Place / Publishing House:Toronto : : University of Toronto Press, , [2017]
©2013
Year of Publication:2017
Language:English
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Physical Description:1 online resource (200 p.)
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id 9781442662018
ctrlnum (DE-B1597)483143
(OCoLC)1004886638
collection bib_alma
record_format marc
spelling Junyk, Ihor, author. aut http://id.loc.gov/vocabulary/relators/aut
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk.
Toronto : University of Toronto Press, [2017]
©2013
1 online resource (200 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement -- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization -- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade -- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky -- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 -- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France -- Notes -- Bibliography -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of Spring, and Ulysses. The situation at the end of the period, however, could not have been more different: even before the violence of the Second World War, the cosmopolitan avant-garde had largely abandoned Paris, driven out by nationalism, xenophobia, and intolerance.Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris's artistic scene. Examining works of literature, sculpture, ballet and performing arts, music, and architecture, Ihor Junyk combines cultural history with contemporary work in transnationalism and diaspora studies. Junyk emphasizes how émigré artists used radical new forms of art to resist the culture of virulent nationalism taking root in France, and to articulate new forms of cosmopolitan identity.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021)
Aliens France Paris Intellectual life 20th century.
Arts, French France Paris Foreign influences.
Arts, French France Paris 20th century.
Immigrants France Paris Intellectual life 20th century.
DISCOUNT-B.
LITERARY CRITICISM / European / French. bisacsh
print 9781442645196
https://doi.org/10.3138/9781442662018
https://www.degruyter.com/isbn/9781442662018
Cover https://www.degruyter.com/cover/covers/9781442662018.jpg
language English
format eBook
author Junyk, Ihor,
Junyk, Ihor,
spellingShingle Junyk, Ihor,
Junyk, Ihor,
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris /
Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement --
2. Becoming Minor: Archipenko, Bergson, and Deterritorialization --
3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade --
4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky --
5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 --
Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France --
Notes --
Bibliography --
Index
author_facet Junyk, Ihor,
Junyk, Ihor,
author_variant i j ij
i j ij
author_role VerfasserIn
VerfasserIn
author_sort Junyk, Ihor,
title Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris /
title_sub Cosmopolitanism, Identity, and Style in Paris /
title_full Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk.
title_fullStr Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk.
title_full_unstemmed Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk.
title_auth Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris /
title_alt Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement --
2. Becoming Minor: Archipenko, Bergson, and Deterritorialization --
3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade --
4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky --
5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 --
Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France --
Notes --
Bibliography --
Index
title_new Foreign Modernism :
title_sort foreign modernism : cosmopolitanism, identity, and style in paris /
publisher University of Toronto Press,
publishDate 2017
physical 1 online resource (200 p.)
Issued also in print.
contents Frontmatter --
Contents --
List of Illustrations --
Acknowledgments --
Introduction --
1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement --
2. Becoming Minor: Archipenko, Bergson, and Deterritorialization --
3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade --
4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky --
5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 --
Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France --
Notes --
Bibliography --
Index
isbn 9781442662018
9781442645196
callnumber-first N - Fine Arts
callnumber-subject NX - Arts in General
callnumber-label NX549
callnumber-sort NX 3549 P3 J85 42013EB
geographic_facet France
Paris
era_facet 20th century.
url https://doi.org/10.3138/9781442662018
https://www.degruyter.com/isbn/9781442662018
https://www.degruyter.com/cover/covers/9781442662018.jpg
illustrated Not Illustrated
dewey-hundreds 700 - Arts & recreation
dewey-tens 700 - Arts
dewey-ones 700 - The arts; fine & decorative arts
dewey-full 700.944/3610904
dewey-sort 3700.944 73610904
dewey-raw 700.944/3610904
dewey-search 700.944/3610904
doi_str_mv 10.3138/9781442662018
oclc_num 1004886638
work_keys_str_mv AT junykihor foreignmodernismcosmopolitanismidentityandstyleinparis
status_str n
ids_txt_mv (DE-B1597)483143
(OCoLC)1004886638
carrierType_str_mv cr
is_hierarchy_title Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris /
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