Foreign Modernism : : Cosmopolitanism, Identity, and Style in Paris / / Ihor Junyk.
At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of S...
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Place / Publishing House: | Toronto : : University of Toronto Press, , [2017] ©2013 |
Year of Publication: | 2017 |
Language: | English |
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Physical Description: | 1 online resource (200 p.) |
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Junyk, Ihor, author. aut http://id.loc.gov/vocabulary/relators/aut Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk. Toronto : University of Toronto Press, [2017] ©2013 1 online resource (200 p.) text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement -- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization -- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade -- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky -- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 -- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France -- Notes -- Bibliography -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star At the beginning of the twentieth century, Paris was the cosmopolitan hub of Europe and home to a vast number of foreigners - including the writers, painters, sculptors, and musicians who were creating works now synonymous with modernism itself, such as Les Desmoiselles d'Avignon, The Rite of Spring, and Ulysses. The situation at the end of the period, however, could not have been more different: even before the violence of the Second World War, the cosmopolitan avant-garde had largely abandoned Paris, driven out by nationalism, xenophobia, and intolerance.Foreign Modernism investigates this tense and transitional moment for both modernism and European multiculturalism by looking at the role of foreigners in Paris's artistic scene. Examining works of literature, sculpture, ballet and performing arts, music, and architecture, Ihor Junyk combines cultural history with contemporary work in transnationalism and diaspora studies. Junyk emphasizes how émigré artists used radical new forms of art to resist the culture of virulent nationalism taking root in France, and to articulate new forms of cosmopolitan identity. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Aug 2021) Aliens France Paris Intellectual life 20th century. Arts, French France Paris Foreign influences. Arts, French France Paris 20th century. Immigrants France Paris Intellectual life 20th century. DISCOUNT-B. LITERARY CRITICISM / European / French. bisacsh print 9781442645196 https://doi.org/10.3138/9781442662018 https://www.degruyter.com/isbn/9781442662018 Cover https://www.degruyter.com/cover/covers/9781442662018.jpg |
language |
English |
format |
eBook |
author |
Junyk, Ihor, Junyk, Ihor, |
spellingShingle |
Junyk, Ihor, Junyk, Ihor, Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement -- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization -- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade -- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky -- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 -- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France -- Notes -- Bibliography -- Index |
author_facet |
Junyk, Ihor, Junyk, Ihor, |
author_variant |
i j ij i j ij |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Junyk, Ihor, |
title |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / |
title_sub |
Cosmopolitanism, Identity, and Style in Paris / |
title_full |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk. |
title_fullStr |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk. |
title_full_unstemmed |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / Ihor Junyk. |
title_auth |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / |
title_alt |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement -- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization -- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade -- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky -- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 -- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France -- Notes -- Bibliography -- Index |
title_new |
Foreign Modernism : |
title_sort |
foreign modernism : cosmopolitanism, identity, and style in paris / |
publisher |
University of Toronto Press, |
publishDate |
2017 |
physical |
1 online resource (200 p.) Issued also in print. |
contents |
Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Travelling Culture: Rilke, Rodin, and the Poetics of Displacement -- 2. Becoming Minor: Archipenko, Bergson, and Deterritorialization -- 3. The Aeneid of Modern Times: Hybridity and Cosmopolitanism in Parade -- 4. A Call to Order: Nostalgia and the Vicissitudes of Cosmopolitan Identity in Igor Stravinsky -- 5. The Face of the Nation: State Fetishism and Métissage at the Exposition Internationale, Paris 1937 -- Epilogue: The Battle of the Tuileries: Cosmopolitanism and Cultural Memory in France -- Notes -- Bibliography -- Index |
isbn |
9781442662018 9781442645196 |
callnumber-first |
N - Fine Arts |
callnumber-subject |
NX - Arts in General |
callnumber-label |
NX549 |
callnumber-sort |
NX 3549 P3 J85 42013EB |
geographic_facet |
France Paris |
era_facet |
20th century. |
url |
https://doi.org/10.3138/9781442662018 https://www.degruyter.com/isbn/9781442662018 https://www.degruyter.com/cover/covers/9781442662018.jpg |
illustrated |
Not Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
700 - Arts |
dewey-ones |
700 - The arts; fine & decorative arts |
dewey-full |
700.944/3610904 |
dewey-sort |
3700.944 73610904 |
dewey-raw |
700.944/3610904 |
dewey-search |
700.944/3610904 |
doi_str_mv |
10.3138/9781442662018 |
oclc_num |
1004886638 |
work_keys_str_mv |
AT junykihor foreignmodernismcosmopolitanismidentityandstyleinparis |
status_str |
n |
ids_txt_mv |
(DE-B1597)483143 (OCoLC)1004886638 |
carrierType_str_mv |
cr |
is_hierarchy_title |
Foreign Modernism : Cosmopolitanism, Identity, and Style in Paris / |
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1770176787962134528 |
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