Shakespearean Representation : : Mimesis and Modernity in Elizabethan Tragedy / / Howard Felperin.

We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward seve...

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Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2015]
©1978
Year of Publication:2015
Language:English
Series:Princeton Essays in Literature ; 1752
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Physical Description:1 online resource (212 p.)
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(OCoLC)979686802
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spelling Felperin, Howard, author. aut http://id.loc.gov/vocabulary/relators/aut
Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy / Howard Felperin.
Princeton, NJ : Princeton University Press, [2015]
©1978
1 online resource (212 p.)
text txt rdacontent
computer c rdamedia
online resource cr rdacarrier
text file PDF rda
Princeton Essays in Literature ; 1752
Frontmatter -- Acknowledgments -- Contents -- Preface -- 1. The Poetics of Modernity: Homer and Others -- 2. O'erdoing Termagant: Hamlet -- 3. Plays Within Plays: Othello, King Lear, Antony and Cleopatra -- 4. A Painted Devil: Macbeth -- 5. "Jacobean Decadence": Tourneur, Middleton, Webster, Ford -- Index
restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star
We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Issued also in print.
Mode of access: Internet via World Wide Web.
In English.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
English drama (Tragedy) History and criticism.
Influence (Literary, artistic, etc.).
Mimesis in literature.
Shakespeare, William, 1564-1616 Tragedies.
DRAMA / Shakespeare. bisacsh
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979 9783110426847
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Literature 9783110413533
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015 9783110665925
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 9783110442496
print 9780691614625
https://doi.org/10.1515/9781400868292
https://www.degruyter.com/isbn/9781400868292
Cover https://www.degruyter.com/cover/covers/9781400868292.jpg
language English
format eBook
author Felperin, Howard,
Felperin, Howard,
spellingShingle Felperin, Howard,
Felperin, Howard,
Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy /
Princeton Essays in Literature ;
Frontmatter --
Acknowledgments --
Contents --
Preface --
1. The Poetics of Modernity: Homer and Others --
2. O'erdoing Termagant: Hamlet --
3. Plays Within Plays: Othello, King Lear, Antony and Cleopatra --
4. A Painted Devil: Macbeth --
5. "Jacobean Decadence": Tourneur, Middleton, Webster, Ford --
Index
author_facet Felperin, Howard,
Felperin, Howard,
author_variant h f hf
h f hf
author_role VerfasserIn
VerfasserIn
author_sort Felperin, Howard,
title Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy /
title_sub Mimesis and Modernity in Elizabethan Tragedy /
title_full Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy / Howard Felperin.
title_fullStr Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy / Howard Felperin.
title_full_unstemmed Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy / Howard Felperin.
title_auth Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy /
title_alt Frontmatter --
Acknowledgments --
Contents --
Preface --
1. The Poetics of Modernity: Homer and Others --
2. O'erdoing Termagant: Hamlet --
3. Plays Within Plays: Othello, King Lear, Antony and Cleopatra --
4. A Painted Devil: Macbeth --
5. "Jacobean Decadence": Tourneur, Middleton, Webster, Ford --
Index
title_new Shakespearean Representation :
title_sort shakespearean representation : mimesis and modernity in elizabethan tragedy /
series Princeton Essays in Literature ;
series2 Princeton Essays in Literature ;
publisher Princeton University Press,
publishDate 2015
physical 1 online resource (212 p.)
Issued also in print.
contents Frontmatter --
Acknowledgments --
Contents --
Preface --
1. The Poetics of Modernity: Homer and Others --
2. O'erdoing Termagant: Hamlet --
3. Plays Within Plays: Othello, King Lear, Antony and Cleopatra --
4. A Painted Devil: Macbeth --
5. "Jacobean Decadence": Tourneur, Middleton, Webster, Ford --
Index
isbn 9781400868292
9783110426847
9783110413533
9783110665925
9783110442496
9780691614625
url https://doi.org/10.1515/9781400868292
https://www.degruyter.com/isbn/9781400868292
https://www.degruyter.com/cover/covers/9781400868292.jpg
illustrated Not Illustrated
doi_str_mv 10.1515/9781400868292
oclc_num 979686802
work_keys_str_mv AT felperinhoward shakespeareanrepresentationmimesisandmodernityinelizabethantragedy
status_str n
ids_txt_mv (DE-B1597)454189
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carrierType_str_mv cr
hierarchy_parent_title Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package Literature
Title is part of eBook package: De Gruyter Princeton University Press Complete eBook-Package 2014-2015
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
is_hierarchy_title Shakespearean Representation : Mimesis and Modernity in Elizabethan Tragedy /
container_title Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
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