Shakespearean Representation : : Mimesis and Modernity in Elizabethan Tragedy / / Howard Felperin.

We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward seve...

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Superior document:Title is part of eBook package: De Gruyter Princeton Legacy Lib. eBook Package 1931-1979
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Place / Publishing House:Princeton, NJ : : Princeton University Press, , [2015]
©1978
Year of Publication:2015
Language:English
Series:Princeton Essays in Literature ; 1752
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Physical Description:1 online resource (212 p.)
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100 1 |a Felperin, Howard,   |e author.  |4 aut  |4 http://id.loc.gov/vocabulary/relators/aut 
245 1 0 |a Shakespearean Representation :  |b Mimesis and Modernity in Elizabethan Tragedy /  |c Howard Felperin. 
264 1 |a Princeton, NJ :   |b Princeton University Press,   |c [2015] 
264 4 |c ©1978 
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490 0 |a Princeton Essays in Literature ;  |v 1752 
505 0 0 |t Frontmatter --   |t Acknowledgments --   |t Contents --   |t Preface --   |t 1. The Poetics of Modernity: Homer and Others --   |t 2. O'erdoing Termagant: Hamlet --   |t 3. Plays Within Plays: Othello, King Lear, Antony and Cleopatra --   |t 4. A Painted Devil: Macbeth --   |t 5. "Jacobean Decadence": Tourneur, Middleton, Webster, Ford --   |t Index 
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520 |a We are often told that Shakespeare is our contemporary, yet we insist just as often on the Elizabethan quality of his work as it reflects a culture remote from our own. Beginning with this paradox, Howard Felperin explores the question of modernity in literature. He directs his attention toward several older poets and examines Shakespeare in particular to show how literary modernity depends, not on chronological considerations, but on the process of mimesis, or imitation, that art has traditionally claimed for itself. In analyzing Shakespeare's major tragedies, Professor Felperin notes that each carries within it a model of its dramatic prototypes, and therefore requires a conservative response from its interpreters. In the interest of being truer to life than its model, however, each play departs from that model and so requires a Romantic or modernist response as well. The author contends that Shakespeare's meaning arises from this ambivalent relation to the forms of the past.Originally published in 1978.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
530 |a Issued also in print. 
538 |a Mode of access: Internet via World Wide Web. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) 
650 0 |a English drama (Tragedy)  |x History and criticism. 
650 0 |a Influence (Literary, artistic, etc.). 
650 0 |a Mimesis in literature. 
650 0 |a Shakespeare, William, 1564-1616  |x Tragedies. 
650 7 |a DRAMA / Shakespeare.  |2 bisacsh 
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