Shaping Jazz : : Cities, Labels, and the Global Emergence of an Art Form / / Damon J. Phillips.
There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated ye...
Saved in:
Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
---|---|
VerfasserIn: | |
Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
Edition: | Core Textbook |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (232 p.) :; 6 halftones. 17 line illus. 14 tables. |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Table of Contents:
- Frontmatter
- Contents
- Acknowledgments
- Introduction. Sociological Congruence and the Shaping of Recorded Jazz
- Chapter 1. The Puzzle of Geographical Disconnectedness
- Chapter 2. Further Exploring the Salience of Geography
- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz
- Chapter 4. Sociological Congruence and Record Company Comparative Advantage
- Chapter 5. The Sociological Congruence of Record Company Deception
- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives
- Chapter 7. Pulling It Together and Stretching It Beyond
- Appendix
- Notes
- References
- Index