Shaping Jazz : : Cities, Labels, and the Global Emergence of an Art Form / / Damon J. Phillips.
There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated ye...
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2013] ©2013 |
Year of Publication: | 2013 |
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Physical Description: | 1 online resource (232 p.) :; 6 halftones. 17 line illus. 14 tables. |
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Phillips, Damon J., author. aut http://id.loc.gov/vocabulary/relators/aut Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / Damon J. Phillips. Core Textbook Princeton, NJ : Princeton University Press, [2013] ©2013 1 online resource (232 p.) : 6 halftones. 17 line illus. 14 tables. text txt rdacontent computer c rdamedia online resource cr rdacarrier text file PDF rda Frontmatter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index restricted access http://purl.org/coar/access_right/c_16ec online access with authorization star There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets--in particular, organizations and geography--in the development of early twentieth-century jazz.Damon Phillips considers why places like New York played more important roles as engines of diffusion than as the sources of standards. He demonstrates why and when certain geographical references in tune and group titles were considered more desirable. He also explains why a place like Berlin, which produced jazz abundantly from the 1920s to early 1930s, is now on jazz's historical sidelines. Phillips shows the key influences of firms in the recording industry, including how record companies and their executives affected what music was recorded, and why major companies would rerelease recordings under artistic pseudonyms. He indicates how a recording's appeal was related to the narrative around its creation, and how the identities of its firm and musicians influenced the tune's long-run popularity.Applying fascinating ideas about market emergence to a music's commercialization, Shaping Jazz offers a unique look at the origins of a groundbreaking art form. Issued also in print. Mode of access: Internet via World Wide Web. In English. Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) Jazz History and criticism. Jazz Social aspects. SOCIAL SCIENCE / Sociology / General. bisacsh African Americans. Berlin. German jazz. Milenburg Joys. New York. Victorian-era firms. Weimar Germany. adoption narratives. anti-jazz sentiments. authenticity. black musicians. bottled water. consumers. critics. cultural elites. cultural markets. cultural objects. cultural products. diffusion. discographical canon. disconnected cities. disconnectedness. geographic mobility. geography. green technology. identity sequences. identity threats. identity. incumbents. jazz music. jazz recordings. jazz standards. jazz. legitimacy. markets. mobility networks. musicians. nanotechnology. organizational role identities. product appeal. production. pseudonyms. race. re-recording. reception. record company deception. record company. record labels. recording industry. recording location. social congruence. social systems. sociological congruence. software. Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 9783110442502 print 9780691150888 https://doi.org/10.1515/9781400846481?locatt=mode:legacy https://www.degruyter.com/isbn/9781400846481 Cover https://www.degruyter.com/cover/covers/9781400846481.jpg |
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English |
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author |
Phillips, Damon J., Phillips, Damon J., |
spellingShingle |
Phillips, Damon J., Phillips, Damon J., Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / Frontmatter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
author_facet |
Phillips, Damon J., Phillips, Damon J., |
author_variant |
d j p dj djp d j p dj djp |
author_role |
VerfasserIn VerfasserIn |
author_sort |
Phillips, Damon J., |
title |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / |
title_sub |
Cities, Labels, and the Global Emergence of an Art Form / |
title_full |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / Damon J. Phillips. |
title_fullStr |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / Damon J. Phillips. |
title_full_unstemmed |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / Damon J. Phillips. |
title_auth |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / |
title_alt |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
title_new |
Shaping Jazz : |
title_sort |
shaping jazz : cities, labels, and the global emergence of an art form / |
publisher |
Princeton University Press, |
publishDate |
2013 |
physical |
1 online resource (232 p.) : 6 halftones. 17 line illus. 14 tables. Issued also in print. |
edition |
Core Textbook |
contents |
Frontmatter -- Contents -- Acknowledgments -- Introduction. Sociological Congruence and the Shaping of Recorded Jazz -- Chapter 1. The Puzzle of Geographical Disconnectedness -- Chapter 2. Further Exploring the Salience of Geography -- Chapter 3. Sociological Congruence and the Puzzle of Early German Jazz -- Chapter 4. Sociological Congruence and Record Company Comparative Advantage -- Chapter 5. The Sociological Congruence of Record Company Deception -- Chapter 6. The Sociological Congruence of Identity Sequences and Adoption Narratives -- Chapter 7. Pulling It Together and Stretching It Beyond -- Appendix -- Notes -- References -- Index |
isbn |
9781400846481 9783110442502 9780691150888 |
callnumber-first |
M - Music |
callnumber-subject |
ML - Literature on Music |
callnumber-label |
ML3918 |
callnumber-sort |
ML 43918 J39 P48 42017 |
url |
https://doi.org/10.1515/9781400846481?locatt=mode:legacy https://www.degruyter.com/isbn/9781400846481 https://www.degruyter.com/cover/covers/9781400846481.jpg |
illustrated |
Illustrated |
dewey-hundreds |
700 - Arts & recreation |
dewey-tens |
780 - Music |
dewey-ones |
781 - General principles & musical forms |
dewey-full |
781.6509 |
dewey-sort |
3781.6509 |
dewey-raw |
781.6509 |
dewey-search |
781.6509 |
doi_str_mv |
10.1515/9781400846481?locatt=mode:legacy |
oclc_num |
847526698 |
work_keys_str_mv |
AT phillipsdamonj shapingjazzcitieslabelsandtheglobalemergenceofanartform |
status_str |
n |
ids_txt_mv |
(DE-B1597)453912 (OCoLC)847526698 |
carrierType_str_mv |
cr |
hierarchy_parent_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
is_hierarchy_title |
Shaping Jazz : Cities, Labels, and the Global Emergence of an Art Form / |
container_title |
Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
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1770176668764209152 |
fullrecord |
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