Reds, Whites, and Blues : : Social Movements, Folk Music, and Race in the United States / / William G. Roy.
Music, and folk music in particular, is often embraced as a form of political expression, a vehicle for bridging or reinforcing social boundaries, and a valuable tool for movements reconfiguring the social landscape. Reds, Whites, and Blues examines the political force of folk music, not through the...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Backlist 2000-2013 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2010] ©2010 |
Year of Publication: | 2010 |
Edition: | Course Book |
Language: | English |
Series: | Princeton Studies in Cultural Sociology ;
45 |
Online Access: | |
Physical Description: | 1 online resource (312 p.) :; 4 tables. |
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Table of Contents:
- Frontmatter
- Contents
- Preface
- Chapter One. Social Movements, Music, and Race
- Chapter Two. Music and Boundaries: Race and Folk
- Chapter Three. The Original Folk Project
- Chapter Four. White and Black Reds: Building an Infrastructure
- Chapter Five. Movement Entrepreneurs and Activists
- Chapter Six. Organizing Music: The Fruits of Entrepreneurship
- Chapter Seven. The Highlander School
- Chapter Eight. Music at the Heart of the Quintessential Social Movement
- Chapter Nine. A Movement Splintered
- Chapter Ten. How Social Movements Do Culture
- Appendix. Coding of Songbooks and Song Anthologies
- Notes
- References
- Index
- Backmatter