Debt and Redemption in the Blues : : The Call for Justice / / Julia Simon.

• Superior document: Title is part of eBook package: De Gruyter Penn State University Press Complete eBook-Package 2023
• VerfasserIn: Simon, Julia,
• Place / Publishing House: University Park, PA : : Penn State University Press, , [2023]; ©2023
• Year of Publication: 2023
• Language: English
• Series: American Music History
• Physical Description: 1 online resource (254 p.)
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9780271096735; 9783110797756
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Julia Simon.

This volume explores concepts of freedom and bondage in the blues and argues that this genre of music explicitly calls for a reckoning while expressing faith in a secular justice to come. Placing blues music within its historical context of the post-Reconstruction South, Jim Crow America, and the civil rights era, Julia Simon finds a deep symbolism in the lyrical representations of romantic and sexual betrayal. The blues calls out and indicts the tangled web of deceit and entrapment constraining the physical, socioeconomic, and political movement of African Americans. Surveying blues music from the 1920s to the early twenty-first century, Simon's analyses focus on economic relations, such as sharecropping, house contract sales, debt peonage, criminal surety, and convict lease. She demonstrates how the music reflects this exploitative economic history and how it is shaped by commodification under racialized capitalism. As Simon assesses the lyrics, technique, and styles of a wide range of blues musicians, including Bessie Smith, Blind Lemon Jefferson, Big Bill Broonzy, Muddy Waters, B. B. King, Albert Collins, and Kirk Fletcher, she argues forcefully that the call for racial justice is at the heart of the blues.A highly sophisticated interpretation of the blues tradition steeped in musicology, social history, and critical-cultural hermeneutics, Debt and Redemption not only clarifies blues as an aesthetic tradition but, more importantly, proves that it advances a theory of social and economic development and change.