Rich and Strange : : Gender, History, Modernism / / Marianne DeKoven.
Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implicatio...
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Superior document: | Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999 |
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Place / Publishing House: | Princeton, NJ : : Princeton University Press, , [2022] ©1992 |
Year of Publication: | 2022 |
Language: | English |
Online Access: | |
Physical Description: | 1 online resource (257 p.) |
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LEADER | 07177nam a22019215i 4500 | ||
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001 | 9781400820580 | ||
003 | DE-B1597 | ||
005 | 20220729113935.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 220729t20221992nju fo d z eng d | ||
010 | |a 2020759532 | ||
020 | |a 9781400820580 | ||
024 | 7 | |a 10.1515/9781400820580 |2 doi | |
035 | |a (DE-B1597)589768 | ||
040 | |a DE-B1597 |b eng |c DE-B1597 |e rda | ||
041 | 0 | |a eng | |
044 | |a nju |c US-NJ | ||
050 | 0 | 0 | |a PR888.M63 |
072 | 7 | |a LIT004290 |2 bisacsh | |
082 | 0 | 4 | |a 823/.91091 |
100 | 1 | |a DeKoven, Marianne, |e author. |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Rich and Strange : |b Gender, History, Modernism / |c Marianne DeKoven. |
264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [2022] | |
264 | 4 | |c ©1992 | |
300 | |a 1 online resource (257 p.) | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a computer |b c |2 rdamedia | ||
338 | |a online resource |b cr |2 rdacarrier | ||
347 | |a text file |b PDF |2 rda | ||
505 | 0 | 0 | |t Frontmatter -- |t CONTENTS -- |t ACKNOWLEDGMENTS -- |t INTRODUCTION -- |t PART I: TOWARD THE MODERNIST NARRATIVE -- |t PART II: CONRAD AND OTHERS -- |t PART III: IN THE WAKE OF EARLY MODERNIST NARRATIVE -- |t NOTES -- |t INDEX |
506 | 0 | |a restricted access |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
520 | |a Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations. | ||
538 | |a Mode of access: Internet via World Wide Web. | ||
546 | |a In English. | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) | |
650 | 0 | |a American fiction |x History and criticism. | |
650 | 0 | |a Authorship |x Sex differences. | |
650 | 0 | |a English fiction |y 20th century |x History and criticism. | |
650 | 0 | |a Modernism (Literature) |z English-speaking countries. | |
650 | 0 | |a Sex role in literature. | |
650 | 7 | |a LITERARY CRITICISM / Women Authors. |2 bisacsh | |
653 | |a Adjective. | ||
653 | |a Allusion. | ||
653 | |a Ambiguity. | ||
653 | |a Ambivalence. | ||
653 | |a Anti-Oedipus. | ||
653 | |a Awakenings. | ||
653 | |a Black people. | ||
653 | |a Bourgeoisie. | ||
653 | |a Carelessness. | ||
653 | |a Castration. | ||
653 | |a Classicism. | ||
653 | |a Conflation. | ||
653 | |a Counterstereotype. | ||
653 | |a Cowardice. | ||
653 | |a Cynicism (contemporary). | ||
653 | |a Cynicism (philosophy). | ||
653 | |a Deconstruction. | ||
653 | |a Deleuze and Guattari. | ||
653 | |a Denial (poem). | ||
653 | |a Desiring-production. | ||
653 | |a Dialectic. | ||
653 | |a Digression. | ||
653 | |a Disgust. | ||
653 | |a Duress. | ||
653 | |a Embarrassment. | ||
653 | |a Emblem. | ||
653 | |a Eroticism. | ||
653 | |a Fatalism. | ||
653 | |a Femininity. | ||
653 | |a Feminism (international relations). | ||
653 | |a Feminism. | ||
653 | |a Genre. | ||
653 | |a Gertrude Stein. | ||
653 | |a Gloom. | ||
653 | |a Greatness. | ||
653 | |a Hatred. | ||
653 | |a Ideology. | ||
653 | |a Imagery. | ||
653 | |a Imperialism. | ||
653 | |a Indication (medicine). | ||
653 | |a Infanticide. | ||
653 | |a Irony. | ||
653 | |a Jacques Derrida. | ||
653 | |a John Barth. | ||
653 | |a Joseph Conrad. | ||
653 | |a Kurtz (Heart of Darkness). | ||
653 | |a Laziness. | ||
653 | |a Leveling (philosophy). | ||
653 | |a Liminality. | ||
653 | |a Literature. | ||
653 | |a Loneliness. | ||
653 | |a Lord Jim. | ||
653 | |a Luce Irigaray. | ||
653 | |a Macabre. | ||
653 | |a Masculinity. | ||
653 | |a Meanness. | ||
653 | |a Memoir. | ||
653 | |a Metonymy. | ||
653 | |a Misogyny. | ||
653 | |a Modernism. | ||
653 | |a Mr. | ||
653 | |a Mrs. | ||
653 | |a Narrative. | ||
653 | |a New Criticism. | ||
653 | |a Novel. | ||
653 | |a Novelist. | ||
653 | |a Oppression. | ||
653 | |a Patusan. | ||
653 | |a Pity. | ||
653 | |a Plotinus. | ||
653 | |a Poetry. | ||
653 | |a Postmodernism. | ||
653 | |a Promiscuity. | ||
653 | |a Race (human categorization). | ||
653 | |a Racism. | ||
653 | |a Result. | ||
653 | |a Reterritorialization. | ||
653 | |a Self-destructive behavior. | ||
653 | |a Selfishness. | ||
653 | |a Sexual inhibition. | ||
653 | |a Simile. | ||
653 | |a Sister Carrie. | ||
653 | |a Stanza. | ||
653 | |a Stupidity. | ||
653 | |a Subjectivity. | ||
653 | |a Suggestion. | ||
653 | |a Superiority (short story). | ||
653 | |a Sympathy. | ||
653 | |a T. S. Eliot. | ||
653 | |a Tender Buttons (book). | ||
653 | |a Terence. | ||
653 | |a The Other Hand. | ||
653 | |a The Voyage Out. | ||
653 | |a Think of the children. | ||
653 | |a Thought. | ||
653 | |a Undoing (psychology). | ||
653 | |a Upper middle class. | ||
653 | |a Western culture. | ||
653 | |a Woolf. | ||
653 | |a Writing. | ||
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Archive 1927-1999 |z 9783110442496 |
773 | 0 | 8 | |i Title is part of eBook package: |d De Gruyter |t Princeton University Press eBook-Package Gap Years |z 9783110784237 |
856 | 4 | 0 | |u https://doi.org/10.1515/9781400820580?locatt=mode:legacy |
856 | 4 | 0 | |u https://www.degruyter.com/isbn/9781400820580 |
856 | 4 | 2 | |3 Cover |u https://www.degruyter.com/document/cover/isbn/9781400820580/original |
912 | |a 978-3-11-044249-6 Princeton University Press eBook-Package Archive 1927-1999 |c 1927 |d 1999 | ||
912 | |a 978-3-11-078423-7 Princeton University Press eBook-Package Gap Years | ||
912 | |a EBA_BACKALL | ||
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