Rich and Strange : : Gender, History, Modernism / / Marianne DeKoven.

• Superior document: Title is part of eBook package: De Gruyter Princeton University Press eBook-Package Archive 1927-1999
• VerfasserIn: DeKoven, Marianne,
• Place / Publishing House: Princeton, NJ : : Princeton University Press, , [2022]; ©1992
• Year of Publication: 2022
• Language: English
• Physical Description: 1 online resource (257 p.)
• Other title: Frontmatter --; CONTENTS --; ACKNOWLEDGMENTS --; INTRODUCTION --; PART I: TOWARD THE MODERNIST NARRATIVE --; PART II: CONRAD AND OTHERS --; PART III: IN THE WAKE OF EARLY MODERNIST NARRATIVE --; NOTES --; INDEX
• Format: Mode of access: Internet via World Wide Web.
• ISBN: 9781400820580; 9783110442496; 9783110784237
• DOI: 10.1515/9781400820580?locatt=mode:legacy
• Access: restricted access
• Hierarchical level: Monograph
• Statement of Responsibility: Marianne DeKoven.

Like the products of the "sea-change" described in Ariel's song in The Tempest, modernist writing is "rich and strange." Its greatness lies in its density and its dislocations, which have until now been viewed as a repudiation of and an alternative to the cultural implications of turn-of-the-century political radicalism. Marianne DeKoven argues powerfully to the contrary, maintaining that modernist form evolved precisely as a means of representing the terrifying appeal of movements such as socialism and feminism. Organized around pairs and groups of female-and male-signed texts, the book reveals the gender-inflected ambivalence of modernist writers. Male modernists, desiring utter change, nevertheless feared the loss of hegemony it might entail, while female modernists feared punishment for desiring such change. With water imagery as a focus throughout, DeKoven provides extensive new readings of canonical modernist texts and of works in the feminist and African-American canons not previously considered modernist. Building on insights of Luce Irigaray, Klaus Theweleit, and Jacques Derrida, she finds in modernism a paradigm of unresolved contradiction that enacts in the realm of form an alternative to patriarchal gender relations.