Michael Haneke's Cinema : : The Ethic of the Image / / Catherine Wheatley.
Existing critical traditions fail to fully account for the impact of Austrian director, and 2009 Cannes Palm d'Or winner, Michael Haneke’s films, situated as they are between intellectual projects and popular entertainments. In this first English-language introduction to, and critical analysis...
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| Superior document: | Title is part of eBook package: De Gruyter Berghahn Books Complete eBook-Package 2000-2013 |
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| VerfasserIn: | |
| Place / Publishing House: | New York; , Oxford : : Berghahn Books, , [2009] ©2009 |
| Year of Publication: | 2009 |
| Language: | English |
| Series: | Film Europa ;
7 |
| Online Access: | |
| Physical Description: | 1 online resource (234 p.) |
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Table of Contents:
- Frontmatter
- CONTENTS
- LIST OF ILLUSTRATIONS
- DECLARATION
- A NOTE ON THE TITLES
- ACKNOWLEDGEMENTS
- INTRODUCTION
- Chapter 1 THE LAST MORALIST?
- Chapter 2 NEGOTIATING MODERNISM Der Siebente Kontinent, Benny’s Video, 71 Fragmente einer Chronologie des Zufalls
- Chapter 3 THE ETHICS OF AGGRESSION: Funny Games
- Chapter 4 EMOTIONAL ENGAGEMENT AND NARRATIVITY Code inconnu, La Pianiste, Le Temps du loup
- Chapter 5 SHAME AND GUILT Caché
- CONCLUSION
- Appendix I MICHAEL HANEKE FILMOGRAPHY
- Appendix II MICHAEL HANEKE AT THE BOX OFFICE
- BIBLIOGRAPHY
- INDEX